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The topos of music: geometric logic of concepts, theory, and performance
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  • 2007Diagrams, gestures and formulae in music58 cited
  • 2008S cale T heory , S erial T heory and V oice L eading40 cited
  • 2007Musical intervals and special linear transformations29 cited
  • 2009Categorical gestures, the diamond conjecture, Lewin's question, and the Hammerklavier Sonata28 cited
  • 2006From a Categorical Point of View: K-Nets as Limit Denotators27 cited
  • 2018Possibility spaces and the notion of novelty: from music to biology24 cited
  • 2020Gauge models of musical forces22 cited
  • 2015A Categorical Generalization of Klumpenhouwer Networks21 cited
  • 2005Convexity and the well-formedness of musical objects18 cited
  • 2013Morphisms of generalized interval systems and PR -groups17 cited
  • 2015Modelling tonal attraction: tonal hierarchies, interval cycles, and quantum probabilities17 cited
  • 2011Generalized Tonnetze17 cited
  • 2008Motivic analysis according to Rudolph Réti: formalization by a topological model15 cited
  • 2010Well-formedness in two dimensions: a generalization of Carey and Clampitt's theorem15 cited
  • 2015Topological Structures in Computer-Aided Music Analysis

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13 cited
  • 2022Characterisation of the Degree of Musical Non-Markovianity12 cited