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Cited by

• 2005History of Modern Aesthetics103 cited
• 1982The critique criticised: Adorno and popular music52 cited
• 2004Innovation and the avant-garde, 1900–2037 cited
• 1995A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself"37 cited
• 2003Constellation and Critique: Adorno's Constellation, Benjamin's Dialectical Image34 cited
• 2006Adorno's Mahler and the Timbral Outsider19 cited
• 2007Between Humanism and Late Style18 cited
• 2009The Rake's Progress as Opera Museum16 cited
• 2016In search of an aesthetic pathway: young children's encounters with drama16 cited
• 2013Stravinsky and the Russian period: sound and legacy of a musical idiom15 cited
• 1999Sic Transit Gloria Artis: "The End of Art" for Theodor Adorno and Guy Debord15 cited
• 2003For Want of a Better Term?: Polyphony and the Value of Music in Bakhtin and Kundera12 cited
• 1996Schoenberg's Handel Concerto and the Ruins of Tradition11 cited
• 2004Rewriting the past: classicisms of the inter-war period10 cited
• 2015More than Meets the Ear: An Account of the Shared (Ac)counts of Cage and Stravinsky