Abstract Against the backdrop of the polarized debate on the ethical significance of storytelling, this book develops a nuanced framework for exploring the ethical complexity of the roles narratives play in human lives. Focusing on how narratives enlarge and diminish the spaces of possibilities in which people act, think, and reimagine the world, it proposes a theoretical-analytical framework for engaging with both the ethical potential and the risks of storytelling. It elaborates a narrative hermeneutics that treats narratives as culturally mediated interpretative practices that can be oppressive, empowering, or both, and argues that the relationship between narrative unconscious and narrative imagination shapes one’s sense of the possible. Its hermeneutic narrative ethics differentiates between six dimensions of narratives’ ethical potential: they can cultivate a sense of the possible; promote self-understanding; enable understanding other lives non-subsumptively in their singularity; transform narrative in-betweens; develop the capacity for perspective-taking; and function as forms of ethical inquiry. These aspects are analyzed in dialogue with literary and autobiographical narratives that deal with the legacy of the Second World War by problematizing the adequacy of the perpetrator–victim dichotomy—exploring how it is as dialogic storytellers, fundamentally vulnerable, interdependent, and implicated in violent histories, that individuals and communities become who they are. The book brings into dialogue narrative ethics, literary narrative studies, narrative psychology, narrative philosophy, and cultural memory studies. It develops narrative hermeneutics as a philosophically rigorous, historically sensitive, and analytically subtle approach to the ethical stakes of the debate on the narrative dimension of human existence.
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