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How Thomas A. Edison shaped today's singing ideal: Tracking his ambiguous concept of tremolo by analysing archival documents and sound recordings
4 references·0 citing·10 second hop
How Thomas A. Edison shaped today's singing ideal: Tracking his ambiguous concept of tremolo by analysing archival documents and sound recordings (2019)How Thomas A. Edison shaped today's singi…Edison, Musicians, and the Phonograph: A Century in Retrospect (1989)Edison, Musicians, and the Ph…The art of singing : a compendium of thoughts on singing published between 1777 and 1927 (1978)The art of singing : a compen…A dictionary of music and musicians (1889)A dictionary of music and mus…A dictionary of music and musicians (1879)A dictionary of music and mus…‘Best Betrayal’: the Documentation of Performance on Video and Film, Part 2 (1995)The Innovation of Re-Recording in the Hollywood Studios (2012)Mozart: The Myth of the Eternal Child (1991)The symphony in Britain: guardianship and renewal (2013)M eyer's Anvil: Revisiting the Schema Concept (2012)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Vocal matching of pitch intervals: Learning and transfer effects' (1987)Preferences for Strong or Weak Singer's Formant Resonance in Choral Tone Quality (2003)Can experts identify “open throat” technique as a perceptual phenomenon? (2006)
this work references cited by second hop

References

  • 1879A dictionary of music and musicians121 cited
  • 1978The art of singing : a compendium of thoughts on singing published between 1777 and 192719 cited
  • 1889A dictionary of music and musicians12 cited
  • 1989Edison, Musicians, and the Phonograph: A Century in Retrospect11 cited

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