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Cited by

• 1980The Closet of Masks: Role-Playing and Myth-Making in the Orestes of Euripides104 cited
• 1999Medea and British Legislation Before The First World War52 cited
• 2013Tragedy in Ovid: Theater, Metatheater, and the Transformation of a Genre50 cited
• 2008Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone47 cited
• 2001The Language of Reciprocity in Euripides' Medea42 cited
• 1993Zeus in Euripides' Medea28 cited
• 2020Female Characters in Fragmentary Greek Tragedy27 cited
• 2020When Mothers Turn Bad21 cited
• 1992Living With Medea and Thinking After Freud: Greek Drama, Gender, and Concealments14 cited
• 2002Ninagawa's Production of Euripides' Medea8 cited
• 2010Double Motivation and the Ambiguity of “Ungodly Deeds”: Euripides'sMedeaand Milton'sSamson Agonistes4 cited