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Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene
16 references·4 citing·34 second hop
Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)Forging traditions: continuity and change…Authenticity in Culture, Self, and Society (2016)Authenticity in Culture, Self…Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language (2008)Global Linguistic Flows: Hip …Hip-Hop Japan (2006)Hip-Hop JapanCan't Stop Won't Stop: A History of the Hip-Hop Generation (2005)Can't Stop Won't Stop: A Hist…That's the Joint! (2004)That's the Joint!Global Noise: Rap and Hip‐Hop outside the USA. (2003)Global Noise: Rap and Hip‐Hop…The Anthropology of Globalization: A Reader (2002)The Anthropology of Globaliza…Cross-Cultural Consumption: Global Markets, Local Realities (2002)Cross-Cultural Consumption: G…Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…From bomba to hip-hop: Puerto Rican culture and Latino identity (2000)From bomba to hip-hop: Puerto…Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…Creating Country Music (1997)Creating Country MusicClub Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…The Making of the Maori: Culture Invention and Its Logic (1989)The Making of the Maori: Cult…The Invention of Tradition (1986)The Invention of TraditionFrom rhymes to revelation:A qualitative study of listeners’ meaning-making of hip-hop music (2024)From rhymes to revelation:A q…Ethnography in Western Popular Music Research Revisited (2021)Ethnography in Western Popula…Negotiating Hip Hop persons: Authenticity, participation and Breaking in Perth, Western Australia (2020)Negotiating Hip Hop persons: …Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity (2020)Defining Authenticity in the …The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)The Presentation of Self in Everyday Life. (1956)The Managed Heart: Commercialization of Human Feeling (1984)I -Pistemology: Changing truth claims in popular and political culture (2012)Driving it Home: How Workplace Emotional Labor Harms Employee Home Life (2013)Putting Identification in Motion: A Dynamic View of Organizational Identification (2019)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Classification as Culture: Types and Trajectories of Music Genres (2008)Internet banging: New trends in social media, gang violence, masculinity and hip hop (2013)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Bilingualism as Ideology and Practice (2007)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)World Society and the Nation‐State (1997)What Is Agency? (1998)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Social Entrepreneurship: Why We Don't Need a New Theory and How We Move Forward From Here (2010)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)Brain, Brow, and Booty: Latina Iconicity in U.S. Popular Culture (2004)Exploring the Racial Identities of Black Immigrants in the United States (2006)Ethnic and Urban Intersections in the Classroom: Latino Students, Hybrid Identities, and Culturally Responsive Pedagogy (2007)Culturally Sustaining Pedagogy (2012)Culturally Responsive School Leadership (2016)
this work references cited by second hop

References

  • 1986The Invention of Tradition7,087 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2005Can't Stop Won't Stop: A History of the Hip-Hop Generation1,151 cited
  • 2002The Anthropology of Globalization: A Reader748 cited
  • 2008Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language727 cited
  • 1997Creating Country Music702 cited
  • 2016Authenticity in Culture, Self, and Society519 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 2000From bomba to hip-hop: Puerto Rican culture and Latino identity426 cited
  • 2002Cross-Cultural Consumption: Global Markets, Local Realities406 cited
  • 1989The Making of the Maori: Culture Invention and Its Logic393 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 2004That's the Joint!342 cited
  • 2006Hip-Hop Japan310 cited
  • 2003Global Noise: Rap and Hip‐Hop outside the USA.285 cited

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Cited by

  • 2020Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity7 cited
  • 2020Negotiating Hip Hop persons: Authenticity, participation and Breaking in Perth, Western Australia3 cited
  • 2021Ethnography in Western Popular Music Research Revisited2 cited
  • 2024From rhymes to revelation:A qualitative study of listeners’ meaning-making of hip-hop music2 cited