SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Dance Seen and Dance‐Screened
10 references·0 citing·28 second hop
Dance Seen and Dance‐Screened (2019)Dance Seen and Dance‐ScreenedWigman's Witches: Reformism, Orientalism, Nazism (2016)Wigman's Witches: Reformism, …Screendance (2012)ScreendanceThe Philosophical Aesthetics of Dance: Identity, Performance and Understanding (2011)The Philosophical Aesthetics …Philosophy of the Performing Arts (2011)Philosophy of the Performing …Multiple Instances and Multiple 'Instances' (2010)Multiple Instances and Multip…Telling Pictures: The Place of Narrative in Late Modern ‘Visual Art’ (2007)Telling Pictures: The Place o…Contemporary Debates in Aesthetics and the Philosophy of Art (2006)Contemporary Debates in Aesth…Toward a Definition of Moving-Picture Dance (2001)Toward a Definition of Moving…An Ontology of Art (1989)An Ontology of ArtWhat Is Going On in a Dance? (1982)What Is Going On in a Dance?The Library of Christian Classics (1957)LIBRARY OF CHRISTIAN CLASSICS (1959)II. Beardsley, Expression and Dance: A Reply to Gregory Scott (1999)III. Transcending the Beardsleyans: A Reply to Carroll and Banes (1999)From Defining Art to Defining the Individual Arts: The Role of Theory in the Philosophies of Arts (2008)Reactionary Modernism: Technology, Culture, and Politics in Weimar and the Third Reich (1985)Reactionary Modernism. Technology, Culture and Politics in Weimar and the Third Reich (1986)German orientalism in the age of empire: religion, race, and scholarship (2010)What is cinema (1967)Theorizing the moving image. (1996)Theorizing the Moving Image (1999)Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance (2016)Dancing Around the Issues: Prospects for an Empirically Grounded Philosophy of Dance (2013)Improvisation in the Arts (2015)Choreography Invisible (2020)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)Pretense, Counterfactuals, and Bayesian Causal Models: Why What Is Not Real Really Matters (2013)The Two Faces of Mental Imagery (2019)Why Gamers Are Not Performers (2018)An Ontology of Multiple Artworks (2024)The Cambridge history of philosophy, 1870-1945 (2004)Descriptivism and Its Discontents (2017)Bodies in place: location as collaborator in dance film (2014)Witnessing Loss (2014)Introduction: Towards an Ethics of Gesture (2017)On artifacts and works of art1 (1992)The Ontology of Art (2004)The Ontology of Art and Knowledge in Aesthetics (2005)
this work references cited by second hop

References

  • 2006Contemporary Debates in Aesthetics and the Philosophy of Art225 cited
  • 1989An Ontology of Art177 cited
  • 2011Philosophy of the Performing Arts153 cited
  • 2011The Philosophical Aesthetics of Dance: Identity, Performance and Understanding64 cited
  • 2012Screendance62 cited
  • 2010Multiple Instances and Multiple 'Instances'54 cited
  • 1982What Is Going On in a Dance?29 cited
  • 2001Toward a Definition of Moving-Picture Dance26 cited
  • 2007Telling Pictures: The Place of Narrative in Late Modern ‘Visual Art’23 cited
  • 2016Wigman's Witches: Reformism, Orientalism, Nazism7 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work