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Integration of multispectral visible-infrared imaging and pointwise X-ray fluorescence data for the analysis of a large canvas painting by Carpaccio
16 references·0 citing·35 second hop
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reflectance infrared spectroscopy: a statistical multivariate approach (2009)An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques (2010)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)Characterizing pigments with hyperspectral imaging variable false-color composites (2015)Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties (2016)Multi-analytical investigation of panel, pigments and varnish of The Martyirdom of St. Catherine by Gaudenzio Ferrari (16th century) (2020)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Applications of synchrotron X-ray nano-probes in the field of cultural heritage (2018)Macroscopic X-ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization (2018)Pigments—Arsenic-based yellows and reds (2021)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Insights into the composition of ancient Egyptian red and black inks on papyri achieved by synchrotron-based microanalyses (2020)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)
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References

  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
  • 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
  • 2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2008A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials95 cited
  • 2016Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods86 cited
  • 1992A Note on the Use of False-Color Infrared Photography in Conservation78 cited
  • 2017Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt69 cited
  • 2014Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting68 cited
  • 2011Multispectral Infrared Reflectography to Differentiate Features in Paintings53 cited
  • 2014Pigment Mapping of the Scream (1893) Based on Hyperspectral Imaging46 cited
  • 2008A scanning device for VIS–NIR multispectral imaging of paintings42 cited
  • 2017The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques

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37 cited
  • 2018In situ non-invasive characterization of the composition of Pompeian pigments preserved in their original bowls37 cited
  • 1988Multispectral Image Processing of Paintings36 cited
  • 2018Spectral Imaging and Archival Data in AnalysingMadonna of the RabbitPaintings by Manet and Titian35 cited
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