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Buck Rogers in the 25th century: Transmedia extensions of a pulp hero
16 references·0 citing·27 second hop
Buck Rogers in the 25th century: Transmedia extensions of a pulp hero (2019)Buck Rogers in the 25th century: Transmed…Transmedia characters: Theory and analysis (2019)Transmedia characters: Theory…Transmedial Narratology and Contemporary Media Culture (2016)Transmedial Narratology and C…Media Franchising (2016)Media FranchisingHistoricising Transmedia Storytelling: Early Twentieth-Century Transmedia Story Worlds (2016)Historicising Transmedia Stor…Historicising Transmedia Storytelling (2016)Historicising Transmedia Stor…Transmedia Storytelling: Industry Buzzword or New Narrative Experience? (2015)Transmedia Storytelling: Indu…Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds (2015)Fantastic Transmedia: Narrati…Converging Worlds: From Transmedial Storyworlds to Transmedial Universes (2015)Converging Worlds: From Trans…Media Franchising: Creative License and Collaboration in the Culture Industries (2013)Media Franchising: Creative L…Dictionary of Semiotics (2000)Dictionary of SemioticsMimesis as Make-Believe: On the Foundations of the Representational Arts. (1993)Mimesis as Make-Believe: On t…Precis of Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)Precis of Mimesis as Make-Bel…Le Personnel du roman: Le systeme des personnages dans les Rougon-Macquart d'Emile Zola (1983)Le Personnel du roman: Le sys…The Role of the Reader. Explorations in the Semiotics of Texts (1981)The Role of the Reader. Explo…The Role of the Reader (1979)The Role of the ReaderSémiotique : dictionnaire raisonné de la théorie du langage (1979)Sémiotique : dictionnaire rai…Possible Worlds, Artificial Intelligence, and Narrative Theory (1993)Multimodality: A Social Semiotic Approach to Contemporary Communication (2009)Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production (2009)Closing the Open Signification: Forms of Transmedial Storyworlds and Chronotopoi in Comics (2015)Reading S. across Media: Transmedia Storyworlds, Multimodal Fiction, and Real Readers (2017)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Security! What Do You Mean? (1998)The European Union and the Securitization of Migration (2000)Gender and the Metaphorics of Translation (1988)Brands as symbolic resources for the construction of identity (1998)Children's Use of the Internet: Reflections on the Emerging Research Agenda (2003)Narrative across Versions: Narratology Meets Genetic Criticism (2013)Understanding Wittgenstein’s On Certainty (2004)The pragmatics of verbal irony: Echo or pretence? (2006)Imagined futures: fictional expectations in the economy (2013)Modal Meinongianism and fiction: the best of three worlds (2009)The Fiction View of Models Reloaded (2016)Fictional Names in Psychologistic Semantics (2017)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Designing stories on social media: A corpus-assisted critical perspective on the mismatches of story-curation (2019)“May the Force be with Katie” (2014)Sherlock Holmes, the De Facto Franchise (2015)From the Ruins: Neomasculinity, Media Franchising, and Struggles Over Industrial Reproduction of Culture (2018)Veronica Mars , fandom, and the ‘Affective Economics’ of crowdfunding poachers (2014)Transmedia world-building: The Shadow (1931–present) and Transformers (1984–present) (2015)Reading for Learning (2014)Peering into Transparency: Challenging Ideals, Proxies, and Organizational Practices (2015)
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References

  • 1981The Role of the Reader. Explorations in the Semiotics of Texts938 cited
  • 1993Mimesis as Make-Believe: On the Foundations of the Representational Arts.709 cited
  • 1979Sémiotique : dictionnaire raisonné de la théorie du langage510 cited
  • 1979The Role of the Reader335 cited
  • 1991Precis of Mimesis as Make-Believe: On the Foundations of the Representational Arts303 cited
  • 2016Transmedial Narratology and Contemporary Media Culture298 cited
  • 2016Media Franchising141 cited
  • 2013Media Franchising: Creative License and Collaboration in the Culture Industries125 cited
  • 1983Le Personnel du roman: Le systeme des personnages dans les Rougon-Macquart d'Emile Zola109 cited
  • 2015Transmedia Storytelling: Industry Buzzword or New Narrative Experience?108 cited
  • 2019Transmedia characters: Theory and analysis101 cited
  • 2000Dictionary of Semiotics81 cited
  • 2015Converging Worlds: From Transmedial Storyworlds to Transmedial Universes67 cited
  • 2015Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds67 cited
  • 2016Historicising Transmedia Storytelling50 cited

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2016
Historicising Transmedia Storytelling: Early Twentieth-Century Transmedia Story Worlds
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