References

• 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
• 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy325 cited
• 2008Pigment Compendium317 cited
• 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
• 1972VERMILION AND CINNABAR156 cited
• 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
• 2010Terahertz spectroscopy applied to the analysis of artists’ materials139 cited
• 2016Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing129 cited
• 2018Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts120 cited
• 2008Chromatic alterations of red lead pigments in artworks: a review105 cited
• 2015Forensic applications of Raman spectroscopy for the in situ analyses of pigments and dyes in ink and paint evidence70 cited
• 1999Identification of pigments on a XV century illuminated parchment by Raman and FTIR microspectroscopies68 cited
• 1999Minium; FT-Raman non-destructive analysis applied to an historical controversy65 cited
• 2010Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives