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The Cinema of Attractions as Dispositif
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The Cinema of Attractions as Dispositif (2006)The Cinema of Attractions as DispositifThe cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China (2022)The cinema of make-believe: R…The Cultural Practice of Immigrant Filmmaking (2019)The Cultural Practice of Immi…Doing Experimental Media Archaeology (2019)Doing Experimental Media Arch…Esej audiowizualny – w stronę historii (2015)Esej audiowizualny – w stronę…The Inevitability of Teleology: From le Dispositif to Apparatus Theory to Dispositifs Plural (2014)The Inevitability of Teleolog…The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema (2014)The Cinema of Exposure: Spiri…Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)Techniques of Inattention: Th…Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact (2014)Techné/Technology: Researchin…Audiences (2012)AudiencesOstrannenie. On “Strangeness“ and the Moving Image: The History, Reception, and Relevance of a Concept (2011)Ostrannenie. On “Strangeness“…Lenin and Philosophy and Other Essays (1971)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Speech Genres and Other Late Essays (1986)Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World (2018)Porous social orders (2019)Revolutionary Echoes: Radios and Loudspeakers in the Mao Era (2020)The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)Always Already New (2006)Always already new: media, history, and the data of culture (2007)The ELIZA Effect (2021)To Believe in Siri (2021)Nietzsche, Genealogy, History (2019)Ideology and Ideological State Apparatuses (2024)Understanding Media: The Extensions of Man (1964)Visual Pleasure and Narrative Cinema (1975)Keywords: A Vocabulary of Culture and Society (1977)Subjectivity: filmic representation and the spectator's experience (2012)Modernity at Large: Cultural Dimensions of Globalization. (1998)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)Theorizing documentary (1993)The personal camera: subjective cinema and the essay film (2010)The essay film: from Montaigne, after Marker (2012)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)THE PRACTICE OF EVERYDAY LIFE (2018)Reception Studies and Audiovisual Translation (2020)Science in Action: How to Follow Scientists and Engineers through Society (1988)Situated Learning: Legitimate Peripheral Participation. (1994)THEORY OF FILM: The Redemption of Physical Reality (1965)Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)Camera Lucida: Reflections on Photography (2001)
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Cited by

  • 2014Techniques of Inattention: The Mediality of Loudspeakers in Nigeria155 cited
  • 2014The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema14 cited
  • 2014The Inevitability of Teleology: From le Dispositif to Apparatus Theory to Dispositifs Plural14 cited
  • 2012Audiences10 cited
  • 2014Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact7 cited
  • 2011Ostrannenie. On “Strangeness“ and the Moving Image: The History, Reception, and Relevance of a Concept7 cited
  • 2019Doing Experimental Media Archaeology7 cited
  • 2015Esej audiowizualny – w stronę historii5 cited
  • 2019The Cultural Practice of Immigrant Filmmaking5 cited
  • 2022The cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China5 cited

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