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Analyzing Modular Smoothness in Video Game Music
13 references·0 citing·36 second hop
Analyzing Modular Smoothness in Video Game Music (2019)Analyzing Modular Smoothness in Video Gam…The Routledge Companion to Screen Music and Sound (2017)The Routledge Companion to Sc…Understanding Video Game Music (2016)Understanding Video Game MusicKeys to Play: Music as a Ludic Medium from Apollo to Nintendo (2016)Keys to Play: Music as a Ludi…Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions (2012)Agency and Information Conten…A Theory of Music Analysis: On Segmentation and Associative Organization (2012)A Theory of Music Analysis: O…A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …Time Warps in Early Jazz (2009)Time Warps in Early JazzFantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Fantasy pieces: metrical diss…Fantasy Pieces (1999)Fantasy PiecesInterval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance (1994)Interval-Class Content in Equ…Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities (1991)Tonal Consonance versus Tonal…Segmentation and Process in Post-Tonal Music (1981)Segmentation and Process in P…Studies in counterpoint : based on the twelve-tone technique (1940)Studies in counterpoint : bas…The Structure of Atonal Music (1973)Basic atonal theory (1980)Redefining Pitch Proximity: Tessitura and Mobility as Constraints on Melodic Intervals (2000)Voice Leading in Set-Class Space (2005)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)The Definition of Consonance and Dissonance (1980)Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities (2021)Homo Ludens: A Study of the Play-Element in Culture. (1951)How To Do Things With Words (1975)Paratexts: Thresholds of Interpretation (1997)Digital Technology and Cultural Practice (2019)Soaring Through the Sky (2019)Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era” (2020)16. Medieval Jongleurs and the Making of a National Literature (1977)Studying the Study of Television Music and Sound (2019)Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema (2019)Korngold in America (2025)The Rhythmic Structure of Music (1961)Structural Functions in Music (1977)The time of music: new meanings, new temporalities, new listening strategies (1989)Beat-Class Modulation in Steve Reich's Music (2003)Hugo Riemann and the Birth of Modern Musical Thought (2003)Formal Functions of Metric Dissonance in Rock Music (2014)Atonality, Analysis, and the Intentional Fallacy (1996)Music as Discourse (2008)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)Tape: Or, Rewinding the Phonographic Regime (2017)Play and Aesthetics in Ancient Greece (2019)After Debussy (2020)An Empirical Study of Syncopation in American Popular Music, 1890?1939 (2006)Formal Structures in Post-Tonal Music (2015)Enacting Musical Time (2019)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)
this work references cited by second hop

References

  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 2000Fantasy pieces: metrical dissonance in the music of Robert Schumann255 cited
  • 1999Fantasy Pieces199 cited
  • 2016Understanding Video Game Music159 cited
  • 2016Keys to Play: Music as a Ludic Medium from Apollo to Nintendo129 cited
  • 1981Segmentation and Process in Post-Tonal Music105 cited
  • 2012A Theory of Music Analysis: On Segmentation and Associative Organization87 cited
  • 1991Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities81 cited
  • 1994Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance75 cited
  • 2017The Routledge Companion to Screen Music and Sound44 cited
  • 2009Time Warps in Early Jazz33 cited
  • 1940Studies in counterpoint : based on the twelve-tone technique21 cited
  • 2012Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions20 cited

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