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Modes of space appropriation in the decorated caves of El Castillo and La Pasiega (Puente Viesgo, Cantabria, Spain)
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References

  • 2018U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art652 cited
  • 2012U-Series Dating of Paleolithic Art in 11 Caves in Spain575 cited
  • 1966Prehistoire de l'art Occidental.240 cited
  • 1977Essai de sémiologie préhistorique (Pour une théorie des premiers signes graphiques de l'homme)52 cited
  • 1974Quatre cents siècles d'art pariétal : les cavernes ornées de l'age du renne44 cited
  • 1958La fonction des signes dans les sanctuaires paléolithiques40 cited
  • 1994Los"santuarios" exteriores en el Paleolítico cantábrico34 cited
  • 1958Le symbolisme des grands signes dans l'art pariétal paléolithique32 cited
  • 1996Dataciones absolutas de pigmentos en cuevas cantábricas: Altamira, El Castillo, Chimemeas y Las Monedas28 cited
  • 2008Crónica de los intercambios entre los grupos humanos paleolíticos. La contribución del arte para el periodo 20000-12000 años BP28 cited
  • 1935The cave of Altamira at Santillana del Mar, Spain27 cited
  • 2000Cronología del Arte Paleolítico Cantábrico: últimas aportaciones y estado actual de la cuestión24 cited
  • 2016Looking through past records: The use of historical documents in cave art spatial studies and its application to La Pasiega (Puente Viesgo, Cantabria, Spain)22 cited
  • 1958Répartition et groupement des nnimaux dans l'art pariétal paléolithique

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20 cited
  • 1976Los omoplatos decorados de la cueva de 'El Castillo, ' Puente Viesgo (Santander)18 cited
  • 1994Arte paleolítico de la zona meridional de la Península Ibérica15 cited
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