Temporal and Density Flow in Javanese Gamelan

Abstract

Abstract This chapter discusses the concept of irama: the articulation and changing of temporal and density flow in Javanese gamelan that would guide and inspire musicians to render melody and rhythm in all sorts of variations. The chapter begins with a brief history of the development of gamelan theory. The main discussion of the chapter is on cross-cultural elucidation of irama by Indonesian and Western theorists. Beyond its technical and mechanical significance, the heart of irama is its impact on the melody and rhythm of gendhing (composition). The changing of irama, led by kendhang (drum), inspires musicians to elaborate, embellish, or simplify their melodies, resulting in ensemble’s togetherness, though not in a perfect synchrony. The drumming itself also affected by the irama, as the drummer selects the style of drumming accordingly. The chapter ends with listening guides to a number of compositions based on irama and textural and timbral changes.

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