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Pola Permainan Alat Musik Keroncong dan Tenor di Orkes Keroncong Irama Jakarta
8 references·1 citing·21 second hop
Pola Permainan Alat Musik Keroncong dan Tenor di Orkes Keroncong Irama Jakarta (2019)Pola Permainan Alat Musik Keroncong dan T…Karakteristik Bentuk Musik Melayu Di Kota Palembang Pada Lagu Melati Karangan (2019)Karakteristik Bentuk Musik Me…“Sing Penting Keroncong” Sebuah Inovasi Pertunjukkan Musik Keroncong di Semarang (2017)“Sing Penting Keroncong” Sebu…Musik Hip-Hop sebagai Bentuk Hybrid Culture dalam Tinjauan Estetika (2015)Musik Hip-Hop sebagai Bentuk …Music and media in the Dutch East Indies: Gramophone records and radio in the late colonial era, 1903-1942 (2013)Music and media in the Dutch …Keroncong Music Reflects the Identity of Indonesia (2013)Keroncong Music Reflects the …Kroncong Revisited: New Evidence from Old Sources (2010)Kroncong Revisited: New Evide…Studies in Indonesian Music (1980)Studies in Indonesian MusicKroncong and Tanjidor - Two Cases of Urban Folk Music in Jakarta (1975)Kroncong and Tanjidor - Two C…SUMELEH, SEMELEH: SIGNIFIKANSI ESTETIKA KERONCONG GAYA SOLO (2023)SUMELEH, SEMELEH: SIGNIFIKANS…Performance Art: From Futurism to the Present (1988)Understanding Popular Music (2003)The Twentieth Century Performance Reader (2013)"Keroncong in Jamaican Sound" (2019)Musik Metal dan Nilai Religius Islam: Tinjauan Estetika Musik Bermuatan Islami dalam Penampilan Purgatory (2019)Mimicry and Hybridity of “Congrock Musik 17” in Semarang (2020)Lirik Musikal pada Lagu Anak Berbahasa Indonesia (2014)Dekonstruksi Estetika dan Makna Musik Gamat di Sawahlunto, Sumatera Barat (2016)Enkulturasi Musik Keroncong oleh O.K Gema Kencana Melalui Konser Tahunan di Banyumas (2019)Teaching and Learning Music in Digital Era: Creating Keroncong Music for Gen Z Students Through Interpreting Poetry (2021)“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand (1995)A herança musical da escravidão (2010)Three Genres of Indonesian Popular Music: Genre, Hybridity, and Globalization, 1960-2012 (2013)Social qualities of time and space created in performing arts of West Java The implications for safeguarding living culture (2012)History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence (2013)Southeast Asia in the age of jazz: Locating popular culture in the colonial Philippines and Indonesia (2013)Pola Irama Keroncong Progresif - Pada Komposisi Kidung Panyuwun (2021)Aransemen Vokal Sebagai Identitas O.K Congrock 17 di Semarang (2020)Media Sosial Sebagai Sarana Promosi Karya Musik Di Era Industri 4.0 (Studi Kasus Pada Band Sendau Gurau Di Semarang) (2020)Popular Music in Southeast Asia (2017)Popular Music in Southeast Asia (2017)
this work references cited by second hop

References

  • 2010Kroncong Revisited: New Evidence from Old Sources43 cited
  • 2013Music and media in the Dutch East Indies: Gramophone records and radio in the late colonial era, 1903-194224 cited
  • 1975Kroncong and Tanjidor - Two Cases of Urban Folk Music in Jakarta23 cited
  • 2017“Sing Penting Keroncong” Sebuah Inovasi Pertunjukkan Musik Keroncong di Semarang23 cited
  • 1980Studies in Indonesian Music19 cited
  • 2015Musik Hip-Hop sebagai Bentuk Hybrid Culture dalam Tinjauan Estetika11 cited
  • 2019Karakteristik Bentuk Musik Melayu Di Kota Palembang Pada Lagu Melati Karangan8 cited
  • 2013Keroncong Music Reflects the Identity of Indonesia8 cited

Cited by

  • 2023SUMELEH, SEMELEH: SIGNIFIKANSI ESTETIKA KERONCONG GAYA SOLO3 cited

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