No open-access location is known for this record yet.
No open-access location is known for this record yet.
espanolEste articulo aborda la historia de la restauracion de la pintura novohispana en Mexico que tomo forma dentro del margen de las instituciones y politicas del Estado desde la segunda mitad del siglo XIX y considerando como punto de partida las actividades desarrolladas por los artistas de la Antigua Academia de San Carlos. En este contexto, se vera como la necesidad –casi urgencia- por rescatar y salvaguardar el patrimonio pictorico virreinal detono la practica de la conservacion y restauracion, asi como su proteccion legal, estudio e investigacion. La conservacion y restauracion de pintura transito entre la practica artistica, la experimentacion directamente sobre las obras y la aplicacion de metodos empiricos hasta consolidarse en un proyecto de profesionalizacion de la disciplina como carrera de educacion superior durante la decada de 1960. EnglishThis article discusses the history of restoration of the pintura Novohsipana that took place in Mexico focusing on institutions and state policies since the second half of the nineteenth century. It considers as a starting point the activities undertaken by the artists belonging to the Antigua Academia San Carlos. In this context, we will see how the need –almost emergency– to rescue and preserve the pictorial colonial heritage not only triggered the practice of conservation and restoration, but also the legal protection, study and research of this type of heritage. Conservation and restoration of painting was an artistic practice, involving experimenting directly on the works and applying empirical methods until the 1960's when it was professionalized and turned into higher education degree.
Loading…
Imported from OpenAlex (CC0) — nothing here is generated.