intertwining modes of analysis.12 While the examples here, and the essays that follow, not suggest a particular non-Western historiography, they suggest that it may be time to rethink and reevaluate how we commonly do film and media history, and to encourage Euro-American historians to ask questions about their historiographie traditions which they have not heretofore asked. It may be possible to see that theories of history are themselves grounded in historical, ideological, and geographic contexts. *
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