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The Interplay of Authority, Masculinity, and Signification in the "Grunge Killed Glam Metal" Narrative
16 references·0 citing·27 second hop
The Interplay of Authority, Masculinity, and Signification in the "Grunge Killed Glam Metal" Narrative (2014)The Interplay of Authority, Masculinity, …Culture and authenticity (2009)Culture and authenticityHow to read Lacan (2007)How to read LacanExtreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…The Cambridge Companion to Pop and Rock (2001)The Cambridge Companion to Po…Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…The Sight of Sound: Music Representation and the History of the Body (1994)The Sight of Sound: Music Rep…Sound and vision: the music video reader (1994)Sound and vision: the music v…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock) (1993)Everything you always wanted …Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Rocking Around the Clock: Mus…Powers of Horror: An Essay on Abjection (1984)Powers of Horror: An Essay on…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Consumer Culture and Postmodernism (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Marketing in a postmodern world (1995)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Globalization and Religious Nationalism: Self, Identity, and the Search for Ontological Security (2004)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Hydraulic City (2017)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Performing the (Sound)World (2000)Class, Control, and Classical Music (2019)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)
this work references cited by second hop

References

  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 1994The Sight of Sound: Music Representation and the History of the Body330 cited
  • 1993Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock)323 cited
  • 2001The Cambridge Companion to Pop and Rock300 cited
  • 1994Sound and vision: the music video reader298 cited
  • 2007How to read Lacan282 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2009Culture and authenticity

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