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The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises
16 references·2 citing·38 second hop
The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises (2019)The use of glass particles and its conseq…New insights into the materials of fifteenth- and sixteenth-century Netherlandish paintings in the National Gallery, London (2017)New insights into the materia…Glass import and production in Hispania during the early medieval period: The glass from Ciudad de Vascos (Toledo) (2017)Glass import and production i…Electron Microprobe Analysis of 9th-12th Century Islamic Glass from Córdoba, Spain (2014)Electron Microprobe Analysis …Ancient Glass: An Interdisciplinary Exploration (2013)Ancient Glass: An Interdiscip…Study of medieval glass fragments from Savona (Italy) and their relation with the glass produced in Altare (2012)Study of medieval glass fragm…Evidence of early medieval soda ash glass in the archaeological site of San Genesio (Tuscany) (2012)Evidence of early medieval so…Chemical analysis of 17th century Millefiori glasses excavated in the Monastery of Sta. Clara-a-Velha, Portugal: comparison with Venetian and façon-de-Venise production (2012)Chemical analysis of 17th cen…Raw materials for medieval to post-medieval Tuscan glassmaking: new insight from LA-ICP-MS analyses (2010)Raw materials for medieval to…Islamic glasses from Al-Andalus. Characterisation of materials from a Murcian workshop (12th century AD, Spain) (2009)Islamic glasses from Al-Andal…Historical evolution of oil painting media: A rheological study (2009)Historical evolution of oil p…Compositional analysis of Tuscan glass samples: in search of raw material fingerprints (2008)Compositional analysis of Tus…A Study on Corrosion Processes of Archaeological Glass from the Valencian Region (Spain) and its Consolidation Treatment (2006)A Study on Corrosion Processe…Decay markers for the preventative conservation and maintenance of paintings (2004)Decay markers for the prevent…Conservation and Restoration of Glass (2004)Conservation and Restoration …The Characterization of Metal Soaps (2003)The Characterization of Metal…Historical Painting Techniques, Materials, and Studio Practice (1999)Historical Painting Technique…The use of ground glass in red glazes: structural 3D imaging and mechanical behaviour using optical coherence tomography and nanoindentation (2021)The use of ground glass in re…Varnish technology during the 16th–18th century: The use of pumice and bone ash as solid driers (2020)Varnish technology during the…Compositional Categories of Ancient Glass (1961)Chemical Analyses of Early Glasses (1999)Natron as a flux in the early vitreous materials industry: sources, beginnings and reasons for decline (2005)Glass beads from pre-European contact sub-Saharan Africa: Peter Francis's work revisited and updated (2016)Ex novo development of lead glassmaking in early Umayyad Spain (2020)Mobile Technologies in the Ancient Sahara and Beyond (2020)A study of french medieval glass composition (1989)The composition of the soda-rich and mixed alkali plant ashes used in the production of glass (2006)The glass of Nogara (Verona): a “window” on production technology of mid-Medieval times in Northern Italy (2011)Conservation of Glass (1992)Study on Ru ware glaze of the Northern Song dynasty: One of the earliest crystalline-phase separated glazes in ancient China (2004)Archaeological glass alteration products in marine and land-based environments: morphological, chemical and microtextural characterization (2005)MANGANESE STAINING OF ARCHAEOLOGICAL GLASS: THE CHARACTERIZATION OF Mn-RICH INCLUSIONS IN LEACHED LAYERS AND A HYPOTHESIS OF ITS FORMATION (2010)Laminated altered layers in historical glass: Density variations of silica nanoparticle random packings as explanation for the observed lamellae (2016)The role of IRT in the archaeometric study of ancient glass through XRF and FORS (2019)Strontium Isotopes in the Investigation of Early Glass Production: Byzantine and Early Islamic Glass from the Near East* (2003)MAKING COLOURLESS GLASS IN THE ROMAN PERIOD* (2005)Deeply colored and black-appearing Roman glass: a continued research (2013)The glass of the “Casa delle Bestie Ferite”: a first systematic archaeometric study on Late Roman vessels from Aquileia (2013)Conservation of Wall Paintings (1985)The Organic Chemistry of Museum Objects (1988)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Degradation of lime wood painting supports (2006)X-ray absorption investigations of copper resinate blackening in a XV century Italian painting (2008)The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy (2014)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Roman glasses coloured by dissolved transition metal ions: redox-reactions, optical spectroscopy and ligand field theory (2014)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Zanzibar and Indian Ocean trade in the first millennium CE: the glass bead evidence (2016)PIXE in the study of archaeological and historical glass (2008)Potash – a key raw material of glass batch for Bohemian glasses from 14th–17th centuries? (2011)Glass Beads, Markers of Ancient Trade in Sub-Saharan Africa: Methodology, State of the Art and Perspectives (2019)The Characterization of Cobalt Violet Pigments (2002)An Egyptian Cartonnage of the Graeco-Roman Period (2003)Problems of Analysis by FTIR of Calcium Sulphate–Based Preparatory Layers: The Case of a Group of 16th‐Century P ortuguese Paintings (2013)Changes in the supply of eastern Mediterranean glasses to Visigothic Spain (2019)
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References

  • 2003The Characterization of Metal Soaps249 cited
  • 2013Ancient Glass: An Interdisciplinary Exploration149 cited
  • 1999Historical Painting Techniques, Materials, and Studio Practice91 cited
  • 2004Conservation and Restoration of Glass76 cited
  • 2017Glass import and production in Hispania during the early medieval period: The glass from Ciudad de Vascos (Toledo)69 cited
  • 2014Electron Microprobe Analysis of 9th-12th Century Islamic Glass from Córdoba, Spain63 cited
  • 2006A Study on Corrosion Processes of Archaeological Glass from the Valencian Region (Spain) and its Consolidation Treatment61 cited
  • 2010Raw materials for medieval to post-medieval Tuscan glassmaking: new insight from LA-ICP-MS analyses57 cited
  • 2012Evidence of early medieval soda ash glass in the archaeological site of San Genesio (Tuscany)53 cited
  • 2004Decay markers for the preventative conservation and maintenance of paintings52 cited
  • 2009Islamic glasses from Al-Andalus. Characterisation of materials from a Murcian workshop (12th century AD, Spain)46 cited
  • 2009Historical evolution of oil painting media: A rheological study44 cited
  • 2012Study of medieval glass fragments from Savona (Italy) and their relation with the glass produced in Altare44 cited
  • 2012Chemical analysis of 17th century Millefiori glasses excavated in the Monastery of Sta. Clara-a-Velha, Portugal: comparison with Venetian and façon-de-Venise production

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42 cited
  • 2017New insights into the materials of fifteenth- and sixteenth-century Netherlandish paintings in the National Gallery, London42 cited
  • 2008Compositional analysis of Tuscan glass samples: in search of raw material fingerprints37 cited
  • Cited by

    • 2020Varnish technology during the 16th–18th century: The use of pumice and bone ash as solid driers9 cited
    • 2021The use of ground glass in red glazes: structural 3D imaging and mechanical behaviour using optical coherence tomography and nanoindentation9 cited