SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Nothing is forever: um ensaio sobre as artes urbanas de Miguel Januário±MaisMenos±
16 references·3 citing·45 second hop
Nothing is forever: um ensaio sobre as artes urbanas de Miguel Januário±MaisMenos± (2019)Nothing is forever: um ensaio sobre as ar…Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal (2018)Raw Power: Punk, DIY and Unde…Artivism: A new educative language for transformative social action (2018)Artivism: A new educative lan…Urban Design, Public Space and the Dynamics of Creative Milieux: A Photographic Approach to Bairro Alto (Lisbon), Gràcia (Barcelona) and Vila Madalena (São Paulo) (2015)Urban Design, Public Space an…“Artivismo”: articulando dissidências, criando insurgências (2015)“Artivismo”: articulando diss…Music and more than music: The approach to difference and identity in the Portuguese punk (2014)Music and more than music: Th…Keeping it real? Subcultural graffiti, street art, heritage and authenticity (2014)Keeping it real? Subcultural …Beyond the Creative City: Cognitive–Cultural Capitalism and the New Urbanism (2014)Beyond the Creative City: Cog…Graffiti and street art (2012)Graffiti and street artBrave New Avant Garde: Essays on Contemporary Art and Politics (2012)Brave New Avant Garde: Essays…Visibility in Social Theory and Social Research (2010)Visibility in Social Theory a…Graffiti Lives: Beyond the Tag in New York's Urban Underground (2009)Graffiti Lives: Beyond the Ta…Entre as luzes e as sombras da cidade: visibilidade e invisibilidade no graffiti (2009)Entre as luzes e as sombras d…Public art: thinking museums differently (2007)Public art: thinking museums …Cowboys, Outlaws and Artists (2007)Cowboys, Outlaws and ArtistsCrimes of style: urban graffiti and the politics of criminality (1993)Crimes of style: urban graffi…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…Ultimate bias: Memorabilia, K-pop and fandom identities (2021)Ultimate bias: Memorabilia, K…Rosalía’s kaleidoscope in the crossroads of late modernity (2021)Rosalía’s kaleidoscope in the…‘People Have the Power’: Songs of Resistance in Late Modernity (2021)‘People Have the Power’: Song…Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)The Rise of the Creative Class (2002)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Coworking: A Transdisciplinary Overview (2016)Co-working Spaces in Milan: Location Patterns and Urban Effects (2017)Urban cultural policy and creative city making (2017)Convention concerning the protection of the world cultural and natural heritage (1973)Uses of Heritage (2006)Limiting Law: Art in the Street and Street in the Art (2016)Street art as alternative attractions: A case of the East Side Gallery (2018)60 years of street art: A comparative study of the artists’ materials through spectroscopic and mass spectrometric approaches (2020)Operational Guidelines for the Implementation of the World Heritage Convention (2023)The Archive and the Repertoire (2003)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Insurgent citizenship: disjunctions of democracy and modernity in Brazil (2009)ARTE E POLÍTICA: A CONSOLIDAÇÃO DA ARTE COMO AGENTE NA ESFERA PÚBLICA (2017)A emergência dos artivismos das dissidências sexuais e de gêneros no Brasil da atualidade (2018)Indignação and declaração corporal: Luta and artivism in Brazil during the times of the pandemic (2022)Communities of Practice (1998)Los "no lugares", espacios del anonimato: una antropología de la sobremodernidad (2000)Come take a walk with me: The “Go-Along” interview as a novel method for studying the implications of place for health and well-being (2008)Comunicación sostenible y sociedad 2.0: particularidades en una relación de tres décadas (2020)Horizontes del mundo digital: de la simulación y la banalización de la experiencia, a un uso social, ecológico e innovador de la Sociedad Red (2020)Sexualización de niñas en redes sociales: la necesidad de inteligencia semántica en Instagram (2021)Postmodern geographies: the reassertion of space in critical social theory (1989)The Computer for the 21st Century (1991)Beyond the Pleasure Principle (2015)The Blue Line on Thin Ice: Police Use of Force Modifications in the Era of Cameraphones andYouTube (2015)‘All data is credit data’: Constituting the unbanked (2017)The Digital Prism (2019)More to see than a canvas in a white cube: For an art in the streets (2010)Painting with permission: Legal graffiti in New York City (2010)From object to encounter: Aesthetic politics and visual criminology (2014)Deconstructing public artopia: Situating public-art claims within practice (2010)Beyond public artopia: public art as perceived by its publics (2011)Storytelling in Virtual Museums: Engaging A Multitude of Voices (2020)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Culture in Interaction (2003)Reinforcing Spirals: The Mutual Influence of Media Selectivity and Media Effects and Their Impact on Individual Behavior and Social Identity (2007)Aesthetic practices of psychogeography and photography (2018)Engaging with plants in an urban environment through street art and design (2019)Urban Art touristification: The case of Lisbon (2019)CULTURAL CRIMINOLOGY (1999)Street Art, Sweet Art? Reclaiming the “Public” in Public Place (2010)Graffiti or Street Art? Negotiating the Moral Geographies of the Creative City (2012)
this work references cited by second hop

References

  • 1981Subculture: The Meaning of Style.3,479 cited
  • 2010Visibility in Social Theory and Social Research421 cited
  • 1993Crimes of style: urban graffiti and the politics of criminality326 cited
  • 2014Beyond the Creative City: Cognitive–Cultural Capitalism and the New Urbanism324 cited
  • 2009Graffiti Lives: Beyond the Tag in New York's Urban Underground103 cited
  • 2018Artivism: A new educative language for transformative social action98 cited
  • 2007Public art: thinking museums differently88 cited
  • 2014Keeping it real? Subcultural graffiti, street art, heritage and authenticity88 cited
  • 2012Graffiti and street art83 cited
  • 2015“Artivismo”: articulando dissidências, criando insurgências67 cited
  • 2018Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal64 cited
  • 2007Cowboys, Outlaws and Artists53 cited
  • 2012Brave New Avant Garde: Essays on Contemporary Art and Politics45 cited
  • 2014Music and more than music: The approach to difference and identity in the Portuguese punk38 cited
  • 2015Urban Design, Public Space and the Dynamics of Creative Milieux: A Photographic Approach to Bairro Alto (Lisbon), Gràcia (Barcelona) and Vila Madalena (São Paulo)

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

22 cited
  • 2009Entre as luzes e as sombras da cidade: visibilidade e invisibilidade no graffiti20 cited
  • Cited by

    • 2021Rosalía’s kaleidoscope in the crossroads of late modernity6 cited
    • 2021Ultimate bias: Memorabilia, K-pop and fandom identities6 cited
    • 2021‘People Have the Power’: Songs of Resistance in Late Modernity3 cited