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The examination of Van Gogh’s chrome yellow pigments in ‘Field with Irises near Arles’ using quantitative SEM–WDX
16 references·1 citing·40 second hop
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References

  • 1979National Gallery Technical Bulletin346 cited
  • 2000Accuracy, precision and detection limits of SEM-WDS, SEM-EDS and PIXE in the multi-elemental analysis of medieval glass177 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples138 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment113 cited
  • 2001Chemical and Textural Characterization of Tin Glazes in Islamic Ceramics from Eastern Spain81 cited
  • 2014Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh78 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate78 cited
  • 2004Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy77 cited
  • 2015Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers : A Study Using Noninvasive In Situ Methods and Synchrotron‐Radiation‐Based X‐ray Techniques69 cited
  • 2012A joint application of ATR-FTIR and SEM imaging with high spatial resolution: Identification and distribution of painting materials and their degradation products in paint cross sections

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57 cited
  • 1994X‐RAY MICROANALYSIS OF ANCIENT GLASSY MATERIALS: A COMPARATIVE STUDY OF WAVELENGTH DISPERSIVE AND ENERGY DISPERSIVE TECHNIQUES*56 cited
  • 2013Van Gogh's studio practice50 cited
  • 2011Chrome yellow in nineteenth century art: historic reconstructions of an artists' pigment49 cited
  • 2018Chemical Mapping by Macroscopic X‐ray Powder Diffraction (MA‐XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk40 cited
  • 2018A little key to oxalate formation in oil paints: protective patina or chemical reactor?37 cited
  • Cited by

    • 2022Non-invasive mineral analysis of pigments of wall paintings in the Sungseonjeon Hall8 cited