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Relative chronology of Palaeolithic drawings of the Great Ceiling, Rouffignac cave, by chemical, stylistic and superimposition studies
16 references·2 citing·33 second hop
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References

  • 2003Analysis of rock art painting and technology of Palaeolithic painters171 cited
  • 2012The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France78 cited
  • 2014First use of portable system coupling X-ray diffraction and X-ray fluorescence for in-situ analysis of prehistoric rock art77 cited
  • 2012Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain)77 cited
  • 1990La préparation des peintures magdaléniennes des cavernes ariégeoises70 cited
  • 2010Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art60 cited
  • 2012The first in situ micro-Raman spectroscopic analysis of prehistoric cave art of Rouffignac-St-Cernin, France51 cited
  • 2012Taphonomy Or Paint Recipe: In situ portable x-ray fluorescence analysis of two anthropomorphic motifs from the Woronora Plateau, New South Wales49 cited
  • 2010Art pariétal : grottes ornées du Quercy48 cited
  • 2006Le groupe des « bisons adossés » de Lascaux. Étude de la technique de l'artiste par analyse des pigments44 cited
  • 2019First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospects40 cited
  • 1992Prehistoric cave painting PIXE analysis for the identification of paint “pots”38 cited
  • 2015Palaeolithic paint palettes used at La Garma Cave (Cantabria, Spain) investigated by means of combined in situ and synchrotron X-ray analytical methods

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37 cited
  • 2017Characterizing Rock Art Pigments34 cited
  • 2016Efficient quantification procedures for data evaluation of portable X-ray fluorescence – Potential improvements for Palaeolithic cave art knowledge33 cited
  • 2011Les colorants dans l’art pariétal et mobilier paléolithique de La Garma (Cantabrie, Espagne)29 cited
  • Cited by

    • 2022Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain17 cited
    • 2021Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art: a case study at the Points cave (Aiguèze, Gard, France)17 cited