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‘Comprovisation’ in Igbo Choral Art Music (ICAM): an introduction
10 references·0 citing·32 second hop
‘Comprovisation’ in Igbo Choral Art Music (ICAM): an introduction (2019)‘Comprovisation’ in Igbo Choral Art Music…Traditional Rhythmic Patterns: The Source of Creativity and Identity of Original Nigerian Art Music Compositions (2014)Traditional Rhythmic Patterns…African Musicology: A Bibliographical Guide to Nigerian Art Music (1927–2009) (2010)African Musicology: A Bibliog…Composition versus Improvisation? (2005)Composition versus Improvisat…African Music: Theoretical Content and Creative Continuum, The Culture-Exponent's Definitions (2003)African Music: Theoretical Co…African Pianism as an Intercultural Compositional Framework: A Study of the Piano Works of Akin Euba (2001)African Pianism as an Intercu…Nigerian Art Music (1995)Nigerian Art MusicClassical Music: The Era of Haydn, Mozart and Beethoven (1993)Classical Music: The Era of H…Performance Practice in Nigerian Music (1984)Performance Practice in Niger…Improvisation in West African Musics (1980)Improvisation in West African…African music in Christian liturgy: the igbo experiment (1973)African music in Christian li…Emotion and Meaning in Music (1957)Intercultural Creativity in Joshua Uzoigwe's Music (2004)Some theoretical perspectives on African popular music (2011)Transformative Transdisciplinarity (2025)The New Grove dictionary of music and musicians (2001)Representing African Music: Postcolonial Notes, Queries, Positions (2004)The Challenge of African Art Music (2011)Representing African Music (2014)Music and Postcolonial Africa (2018)Contemporary Ideas in African Art Music Composition: An Exploration of the Vocal and Instrumental Works of Seun Owoaje (2025)The story of Nigeria (1962)Melo-Rhythmic Essence and Hot Rhythm in Nigerian Folk Music (1974)The organ works of Fela Sowande: a Nigerian organist-composer (2004)“CREATIVE ETHNOMUSICOLOGY” AND AFRICAN ART MUSIC: A CLOSE MUSICAL READING OF WOOD AND CLAY, KUNDI DREAMS AND UMRHUBHE GEESTE BY ANTHONY CAPLAN (2017)Centring embodied practice in African music studies: creative alternatives (2022)Charlie Parker : techniques of improvisation (1974)Charlie Parker and Thematic Improvisation (1996)Schenkerian Analysis of Modern Jazz: Questions about Method (1998)Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android” (2013)Dave Brubeck's Definitive "Jazzanians" (2013)The Jazz Solo as Virtuous Act (2016)Studies in African Music (1959)African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms (1980)Themes and Variations on the Creative Process: Tales of Three Cultures (1997)African Musicology: Towards Defining and Setting Parameters of the Study of the Indigenous African Music (2014)The Cambridge Companion to Rhythm (2020)On African Music (2023)Style in modern Nigerian Art music: the pioneering works of Fela Sowande (1998)“May God Bless Nnamdi Kanu Wherever He Is”: Biafran Separatist Nationalism in Nigeria and the Emerging Roles of Igbo Christian Leaders (2022)Stages in the evolution of music (1993)Catholic church music in Italy, and the Spanish and Portuguese Empires (2009)Opéra-comique on the Eve of Revolution: Dalayrac's Sargines and the Development of “Heroic” Comedy (2015)
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References

  • 2003African Music: Theoretical Content and Creative Continuum, The Culture-Exponent's Definitions116 cited
  • 1995Nigerian Art Music80 cited
  • 1973African music in Christian liturgy: the igbo experiment40 cited
  • 2005Composition versus Improvisation?39 cited
  • 1993Classical Music: The Era of Haydn, Mozart and Beethoven31 cited
  • 2010African Musicology: A Bibliographical Guide to Nigerian Art Music (1927–2009)19 cited
  • 2001African Pianism as an Intercultural Compositional Framework: A Study of the Piano Works of Akin Euba14 cited
  • 1980Improvisation in West African Musics11 cited
  • 2014Traditional Rhythmic Patterns: The Source of Creativity and Identity of Original Nigerian Art Music Compositions6 cited
  • 1984Performance Practice in Nigerian Music4 cited

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