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Every stain a story: The many dirty undershirts of John McClane in Die Hard
9 references·2 citing·30 second hop
Every stain a story: The many dirty undershirts of John McClane in Die Hard (2019)Every stain a story: The many dirty under…A Tale of Inscription/Fashion Statements (2017)A Tale of Inscription/Fashion…Where is the body in the costume design process? (2016)Where is the body in the cost…Cinema and authenticity: anxieties in the making of historical film (2016)Cinema and authenticity: anxi…A Garment in the Dock; or, How the FBI Illuminated the Prehistory of A Pair of Denim Jeans (Winner of the Journal of Material Culture Alfred Gell essay competition 2004) (2004)A Garment in the Dock; or, Ho…Assuming a True Identity: Re‐/De‐Constructing Hollywood Heroes (2002)Assuming a True Identity: Re‐…"'Just the fax, ma'am'": Male Sentimentality in the Die Hard Films (1991)"'Just the fax, ma'am'": Male…Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory (1988)Performative Acts and Gender …The cultural biography of things: commoditization as process (1986)The cultural biography of thi…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…‘Who wants the pressure of being super all the time?’: Mid-century modern fashions and their influence on costume development in The Incredibles and Incredibles 2 (2022)‘Who wants the pressure of be…Interplays of body and costume (2019)Interplays of body and costumeCharles Baudelaire: A Lyric Poet in the Era of High Capitalism (1973)The arcades project (2000)Manifesto for a study of denim* (2007)Life Itemised: Lists, Loss, Unexpected Significance, and the Enduring Geographies of Discard (2011)Object interviews, material imaginings and ‘unsettling’ methods: interdisciplinary approaches to understanding materials and material culture (2015)Capital: A Critique of Political Economy (2020)Undoing Feminism: From the Preoedipal to Postfeminism in Anne Rice's Vampire Chronicles (1990)2. The Interpretation of Dreams (1913)Alice Doesn't (1984)Postmodernity: The age of marketing (1993)The Self as Image (1999)Mother Knows Best? Intergenerational Notions of Fashion and Identity (2006)The Fashion System (2020)Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological Embodiment (1995)Visions of the past: the challenge of film to our idea of history (1996)Staged authenticity and heritage tourism (2003)Costuming Cosplay: Dressing the Imagination (2018)‘Frail but Fearless’: Dichotomies of femininity and strength at the New York Hippodrome, 1905–17 (2019)Gender-Assemblages: The Scenographics of Sin Wai Kin (2022)Possessions and the Extended Self (1988)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Club cultures: music, media and subcultural capital (1996)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Relations between body and clothing in performance: Costume as an activator of bodily actions (2021)Costumographic synergy: Devising the costume performance (2022)Queer Performativity: Henry James's The Art of the Novel (1993)Citizenship in flux: The figure of the activist citizen (2009)The Role of Gender Stereotypes in Perceptions of Entrepreneurs and Intentions to Become an Entrepreneur (2009)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1986The cultural biography of things: commoditization as process4,945 cited
  • 1988Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory4,127 cited
  • 2017A Tale of Inscription/Fashion Statements18 cited
  • 2016Where is the body in the costume design process?16 cited
  • 2004A Garment in the Dock; or, How the FBI Illuminated the Prehistory of A Pair of Denim Jeans (Winner of the Journal of Material Culture Alfred Gell essay competition 2004)14 cited
  • 2002Assuming a True Identity: Re‐/De‐Constructing Hollywood Heroes11 cited
  • 2016Cinema and authenticity: anxieties in the making of historical film11 cited
  • 1991"'Just the fax, ma'am'": Male Sentimentality in the Die Hard Films4 cited

Cited by

  • 2019Interplays of body and costume6 cited
  • 2022‘Who wants the pressure of being super all the time?’: Mid-century modern fashions and their influence on costume development in The Incredibles and Incredibles 23 cited

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