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References

2000Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs)430 cited
2019The Race of Sound: Listening, Timbre, and Vocality in African American Music428 cited
1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music329 cited
2016Categorizing Sound206 cited
2006The Last “Darky”171 cited
1994The Imaginary Museum of Musical Works162 cited
2007Making easy listening: material culture and postwar American recording148 cited
2004Toward a Historiography of the Popular62 cited
2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
2016Review Essay: Race-Conscious Casting and the Erasure of the Black Past in Lin-Manuel Miranda’s Hamilton34 cited

Cited by

2022We are also music lovers: Testing vocal tastes in higher musical theater education7 cited
2021Exploring Original Cast Recordings as “Vocal Scripts”: Navigating “Vocal Omnivorousness” and Learning “The Sungs” of Musical Theatre7 cited
2024Singing Utopia3 cited
2022Voicing Omnivorousness, Assembling the Omnivorous Voice: The American Musical Explored3 cited

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