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This paper aims to show that in the writing of Taccuini D’Annunzio reaches some of the highest levels of his experimentation, and especially in Taccuini, where he is able to express the simultaneity of the categories of space and time and of present and past in the vision from from the ‘high’.
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Stored only when both papers are in the corpus — 0 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.