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The monogamous/promiscuous optics in contemporary gay film: registering the amorous couple in Weekend (2011) and Paris 05:59: Théo & Hugo (2016)
14 references·1 citing·30 second hop
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References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1997Ethics: subjectivity and truth2,525 cited
  • 1975Visual Pleasure and Narrative Cinema1,139 cited
  • 1995Star gazing: Hollywood cinema and female spectatorship785 cited
  • 1993CINEMA AND SPECTATORSHIP532 cited
  • 2000Uninvited: classical Hollywood cinema and lesbian representability381 cited
  • 2002Cinema and Spectatorship202 cited
  • 2013New queer cinema: the director's cut160 cited
  • 2000Sociality and Sexuality141 cited
  • 2001Spectacular passions: cinema, fantasy, gay male spectatorships108 cited
  • 1975The Spectator-in-the-Text: The Rhetoric of "Stagecoach"94 cited
  • 1985Forms of Being: Cinema, Aesthetics, Subjectivity88 cited
  • 2002Sociability and Cruising81 cited
  • 20041. New queer cinema: an introduction57 cited

Cited by

  • 2021Gendering Turkish Action Films in the Post-2010 Period: “Hey boy, protect me and don’t cry!”8 cited

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