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Savoirs de la musique et études de sciences
16 references·0 citing·32 second hop
Savoirs de la musique et études de sciences (2019)Savoirs de la musique et études de scienc…Spotify Teardown (2019)Spotify TeardownPopular Music, Digital Technology and Society (2018)Popular Music, Digital Techno…Selling Digital Music, Formatting Culture (2015)Selling Digital Music, Format…Music and the Making of Modern Science (2014)Music and the Making of Moder…How Forests Think (2013)How Forests ThinkUn humanisme numérique (2011)Un humanisme numériqueThe Oxford Handbook of Sound Studies (2011)The Oxford Handbook of Sound …A Short History of Knowledge Formations (2010)A Short History of Knowledge …Mechanical Sound (2008)Mechanical SoundLa Passion musicale (2007)La Passion musicaleNous n'avons jamais été modernes (2006)Nous n'avons jamais été moder…The Audible Past (2003)The Audible PastHugo Riemann and the Birth of Modern Musical Thought (2003)Hugo Riemann and the Birth of…Music in Everyday Life (2000)Music in Everyday LifePerforming Rites (1996)Performing RitesBeethoven and the Construction of Genius (1995)Beethoven and the Constructio…The Structure of Scientific Revolutions (1963)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)More than a feeling: Measurement of sonic user experience and psychophysiology in a first-person shooter game (2010)Sound studies without auditory culture: a critique of the ontological turn (2015)Towards an Articulation of the Material and Visual Turn in Organization Studies (2018)Une éthique appliquée ? (2012)Les enjeux épistémologiques des humanités numériques (2015)Une « utopie politique » pour les humanités numériques ? (2015)After the Individual in Society: Lessons on Collectivity from Science, Technology and Society (1997)An Essay on Framing and Overflowing: Economic Externalities Revisited by Sociology (1998)When things strike back: a possible contribution of ‘science studies’ to the social sciences (2000)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Music Platforms and the Optimization of Culture (2020)Patrimoine et territoire, les nouvelles ressources du développement (2009)A Framework for Digital Marketing Research: Investigating the Four Cultural Eras of Digital Marketing (2019)Integration: twelve propositions after Schinkel (2019)The Politics of Nature: New Materialist Responses to the Anthropocene (2018)Loving and knowing: reflections for an engaged epistemology (2019)Understanding the Rights of Nature: Working Together Across and Beyond Disciplines (2023)Acoustic Cocooning (2010)Sound, Listening and Place: The aesthetic dilemma (2012)Between silence and pain: loudness and the affective encounter (2015)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Theorizing Musical Meaning (2001)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 2000Music in Everyday Life2,710 cited
  • 1996Performing Rites1,123 cited
  • 2006Nous n'avons jamais été modernes525 cited
  • 2008Mechanical Sound355 cited
  • 2007La Passion musicale352 cited
  • 2011The Oxford Handbook of Sound Studies343 cited
  • 1995Beethoven and the Construction of Genius268 cited
  • 2013How Forests Think239 cited
  • 2011Un humanisme numérique227 cited
  • 2015Selling Digital Music, Formatting Culture226 cited
  • 2019Spotify Teardown212 cited
  • 2003The Audible Past183 cited
  • 2010A Short History of Knowledge Formations131 cited
  • 2014Music and the Making of Modern Science108 cited
  • 2003Hugo Riemann and the Birth of Modern Musical Thought103 cited
  • 2018Popular Music, Digital Technology and Society100 cited

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