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The rarest blue: An exceptional find of lapis lazuli in the polychromy of a funerary portrait from ancient Palmyra
10 references·3 citing·41 second hop
The rarest blue: An exceptional find of lapis lazuli in the polychromy of a funerary portrait from ancient Palmyra (2020)The rarest blue: An exceptional find of l…Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Painting the Palace of Apries…The Tomb of the Three Brothers in Palmyra: The Use of Mimetite, A Rare Yellow Pigment, in A Rich Decoration (2014)The Tomb of the Three Brother…Blue Pigments. 5000 years of Art and Industry (2013)Blue Pigments. 5000 years of …Micro‐Raman spectroscopy of carbon‐based black pigments (2012)Micro‐Raman spectroscopy of c…The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)The spatially resolved charac…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Physical Techniques in the study of Art, Archaeology and Cultural Heritage (2007)Physical Techniques in the st…Composition of eye cosmetics (kohls) used in Oman (1998)Composition of eye cosmetics …Fluorescence of Paint and Varnish Layers (Part I) (1982)Fluorescence of Paint and Var…A Technical Examination of an Ancient Egyptian Painting on Canvas (1981)A Technical Examination of an…Minero‐chemical and provenance analysis of Achaemenian lapis lazuli cylinders from Persepolis (2023)Minero‐chemical and provenanc…The materialisation of colour: Reconstructing Egyptian blue manufacture on late Hellenistic Kos (2022)The materialisation of colour…Reconstructing Ancient Polychromy: The Beauty of Palmyra (2020)Reconstructing Ancient Polych…Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)Ancient Mesopotamian materials and industries: the archaeological evidence (1995)Polychromy in Africa Proconsularis: investigating Roman statues using X-ray fluorescence spectroscopy (2017)Raman identification of cuneiform tablet pigments: emphasis and colour technology in ancient Mesopotamian mid-third millennium (2017)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Ancient Egyptian Materials and Industries (1948)Lexicographical Studies in Ancient Egyptian Minerals (1961)Technical Studies in the Field of the Fine Arts (1977)Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Fluorescence of Paint and Varnish Layers (Part III) (1982)Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple (2000)Non-Destructive Microanalysis of Cultural Heritage Materials (2004)Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)A review of ancient Egyptian pigments and cosmetics (2015)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ancient Egyptian materials and technology (2000)Infrared Spectroscopy in Conservation Science (2000)Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia) (2021)An Insight into Gandharan Art: Materials and Techniques of Polychrome Decoration (2022)Egyptian blue in the Castelseprio mural painting cycle. Imaging and evidence of a non-traditional manufacture (2018)Investigation of color layers of Bohemian panel paintings by confocal micro-XRF analysis (2018)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)A study of the composition of some eye cosmetics (kohls) used in the United Arab Emirates (2002)Composition of eye cosmetics (kohls) used in Cairo (2004)Chapter 5 Egyptian eye cosmetics (“Kohls”): Past and present (2006)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Handheld XRF for Art and Archaeology (2013)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Identification of pigments by multispectral imaging; a flowchart method (2014)Portable X-ray Fluorescence and Archaeology: Limitations of the Instrument and Suggested Methods To Achieve Desired Results (2013)Analytical chemistry in the field of cultural heritage (2015)Towards automatic classification of diffuse reflectance image cubes from paintings collected with hyperspectral cameras (2020)
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References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments474 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments188 cited
  • 2009The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging177 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part I)123 cited
  • 2007Physical Techniques in the study of Art, Archaeology and Cultural Heritage51 cited
  • 1998Composition of eye cosmetics (kohls) used in Oman46 cited
  • 1981A Technical Examination of an Ancient Egyptian Painting on Canvas27 cited
  • 2013Blue Pigments. 5000 years of Art and Industry24 cited
  • 2014The Tomb of the Three Brothers in Palmyra: The Use of Mimetite, A Rare Yellow Pigment, in A Rich Decoration23 cited
  • 2018Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt23 cited

Cited by

  • 2022The materialisation of colour: Reconstructing Egyptian blue manufacture on late Hellenistic Kos8 cited
  • 2020Reconstructing Ancient Polychromy: The Beauty of Palmyra7 cited
  • 2023Minero‐chemical and provenance analysis of Achaemenian lapis lazuli cylinders from Persepolis6 cited

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