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The March: Military and Ceremonial Music
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The March: Military and Ceremonial Music (2020)The March: Military and Ceremonial MusicOccult Aesthetics (2014)Occult AestheticsMusic and Levels of Narration in Film (2013)Music and Levels of Narration…Music & the British Military in the Long Nineteenth Century (2013)Music & the British Military …British Music and Modernism, 1895–1960 (2011)British Music and Modernism, …British National Cinema (2009)British National CinemaBritish national cinema (2009)British national cinemaA History of Film Music (2008)A History of Film MusicTypical Men: The Representation of Masculinity in Popular British Cinema (2001)Typical Men: The Representati…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…British cinema in the fifties: gender, genre and the 'new look' (2001)British cinema in the fifties…Women in British Cinema: Mad, Bad and Dangerous to Know (2000)Women in British Cinema: Mad,…British Cinema, Past and Present (2000)British Cinema, Past and Pres…Films and British national identity: from Dickens to Dad's army (1998)Films and British national id…Things to Come (1995)Things to ComeKlute 1: A Contemporary Film Noir and Feminist Criticism (1978)Klute 1: A Contemporary Film …R. V. W.: A Biography of Ralph Vaughan Williams (1966)R. V. W.: A Biography of Ralp…Materializing Film Music (2016)The Cambridge Companion to Film Music (2016)Was uns die Töne erzählen: Narratologie und Filmmusik (2018)Becoming James Bond: Daniel Craig, rebirth, and refashioning masculinity inCasino Royale(2006). (2013)Popular postcolonial masculinities: gangsters and soldiers in Maghrebi-French cinema (2019)Prime Time Soap Operas on Indian Television (2020)`You're only as Good as Your Last Job': The Labour Process and Labour Market in the British Film Industry (2001)Transformations: Thinking Through Feminism (2005)License to Assemble: Theorizing Brand Longevity (2018)A History of 1930s British Literature (2019)Late Modernism and the Spanish Civil War (2019)The Cambridge History of Music Criticism (2019)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (with a Note about Tippett) (2008)The Cambridge Companion to Vaughan Williams (2013)The Viennese symphony 1750 to 1827 (2013)A seat with a view (2006)‘The truth is out there! Not!’:Shamelessand the moral structures of contemporary social realism (2009)Locating Migrant and Diasporic Cinema in Contemporary Europe (2010)Cultural Brokers in Uniform: The Global Rise of Military Musicians and Their Music (2017)Singing for the Nation: Balladry, naval recruitment and the language of patriotism in eighteenth-century Britain (2017)Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data (2018)Empire and National Identities: The Case of Scotland (1998)Taxation in West Africa: transforming the colonial subject into the “governable person” (2003)When Opera Meets Film (2010)Hollywood Cadences (2013)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2008A History of Film Music186 cited
  • 2011British Music and Modernism, 1895–1960165 cited
  • 1998Films and British national identity: from Dickens to Dad's army141 cited
  • 2013Music and Levels of Narration in Film122 cited
  • 2009British national cinema118 cited
  • 2000British Cinema, Past and Present100 cited
  • 2013Music & the British Military in the Long Nineteenth Century77 cited
  • 1966R. V. W.: A Biography of Ralph Vaughan Williams72 cited
  • 2001Typical Men: The Representation of Masculinity in Popular British Cinema68 cited
  • 2000Women in British Cinema: Mad, Bad and Dangerous to Know59 cited
  • 2009British National Cinema58 cited
  • 1995Things to Come57 cited
  • 2001British cinema in the fifties: gender, genre and the 'new look'56 cited
  • 1978Klute 1: A Contemporary Film Noir and Feminist Criticism55 cited
  • 2014Occult Aesthetics49 cited

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