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To bring peace that stays: Music, conflict and conciliation in the Gambia
13 references·1 citing·35 second hop
To bring peace that stays: Music, conflict and conciliation in the Gambia (2019)To bring peace that stays: Music, conflic…Performing “Participation”: Kanyeleng Musicians and Global Health in the Gambia (2017)Performing “Participation”: K…Music and the Ecology of Fear: Kanyeleng Women Performers and Ebola Prevention in The Gambia (2017)Music and the Ecology of Fear…An Jεra Cεla (We Share a Husband): Song as Social Comment on Polygamy in Southern Mali (2017)An Jεra Cεla (We Share a Husb…The Role of Applied Ethnomusicology in Post-Conflict and Post-Catastrophe Communities (2015)The Role of Applied Ethnomusi…‘The complexity of an enduring relationship’: gender, generation, and the moral economy of the G ambian M andinka household (2013)‘The complexity of an endurin…Music and Conflict: Interdisciplinary Perspectives (2010)Music and Conflict: Interdisc…Music and conflict transformation in the post-Yugoslav era: empowering youth to develop harmonic inter-ethnic relationships in Kumanovo, Macedonia (2010)Music and conflict transforma…Introduction: an ethnomusicological approach to music and conflict (2010)Introduction: an ethnomusicol…Civil taxis and wild trucks: the dialectics of social space and subjectivity inDimanche à Bamako (2010)Civil taxis and wild trucks: …Applied Ethnomusicology: Bridging Research and Action (2010)Applied Ethnomusicology: Brid…Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro (2006)Conflict and Violence as Theo…Anthropological Perspectives On Music And Emotion (2001)Anthropological Perspectives …Mandinka Jaliya : professional music of the Gambia (1974)Mandinka Jaliya : professiona…Jali popular song and conflict mediation in the aftermath of the Gambia’s 2016 election (2020)Jali popular song and conflic…THE MORAL ECONOMY OF THE ENGLISH CROWD IN THE EIGHTEENTH CENTURY (1971)Toward an Anthropology of Women. (1976)The Logic of Practice (1990)A Few Notions about Philosophy and Strategy in Applied Ethnomusicology (1992)Activism in Southeast Asian Ethnomusicology: Empowering Youths to Revitalize Traditions and Bridge Cultural Barriers (2008)From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World (2008)“Will there be music for us?” Mapping the health and well-being potential of participatory music practice with asylum seekers and refugees across contexts of conflict and refuge (2014)Musicological ethnography and peacebuilding (2016)Advocating Contemporary Traditional Indigenous Semai Music through an Exploration of Youth Interest (2017)Ethnic Groups and Boundaries: The Social Organization of Culture Difference (1970)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Music in Everyday Life (2000)Social distance and the multimodal construction of the Other in sectarian song (2015)Espacios musicales colectivos durante y después del conflicto armado como lugares de preservación del tejido social (2017)Using life histories with sound postcards to investigate a music programme for social reconstruction in Colombia (2018)Reflexive Ethnography: A Guide to Researching Selves and Others (1999)Cultural Studies : Theory and Practice (2000)Group creativity: musical performance and collaboration (2006)A scoping review of international mindedness and related concepts in music education, 2000–2020 (2022)Artivism in Maluku (2022)Building social connection and inclusion through rock music in the Western Balkans: Fostering the art of small changes (2024)The Anthropology of the Body (1977)Culture Theory: Essays on Mind, Self, and Emotion. (1986)Language and the Politics of Emotion (1992)“Mbas Mi”: Fighting COVID-19 Through Music in Senegal (2021)Communicating Awareness About COVID-19 Through Songs: An Example From Ghana (2021)Escenarios de no-guerra: el papel de la música en la transformación de sociedades en conflicto (2016)Toward a Methodology of War and Peace Studies in Ethnomusicology: The Case of Aceh, 1976–2009 (2010)Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti (2013)The ethics of ethnomusicology in a cosmopolitan age (2013)Ritual, emotion, and sacred symbols (2005)The Art of Doing (Geographies of) Music (2007)University students’ strong experiences of music (2011)Diasporic jeliya as a collaborative trade in New York City (2011)POYI!Bamanajelimusic, Mali and the blues (2013)
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References

  • 2001Anthropological Perspectives On Music And Emotion118 cited
  • 2006Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro42 cited
  • 2015The Role of Applied Ethnomusicology in Post-Conflict and Post-Catastrophe Communities26 cited
  • 2010Music and Conflict: Interdisciplinary Perspectives24 cited
  • 2013‘The complexity of an enduring relationship’: gender, generation, and the moral economy of the G ambian M andinka household23 cited
  • 1974Mandinka Jaliya : professional music of the Gambia16 cited
  • 2017Music and the Ecology of Fear: Kanyeleng Women Performers and Ebola Prevention in The Gambia15 cited
  • 2010Applied Ethnomusicology: Bridging Research and Action14 cited
  • 2010Music and conflict transformation in the post-Yugoslav era: empowering youth to develop harmonic inter-ethnic relationships in Kumanovo, Macedonia11 cited
  • 2010Introduction: an ethnomusicological approach to music and conflict10 cited
  • 2017Performing “Participation”: Kanyeleng Musicians and Global Health in the Gambia8 cited
  • 2017An Jεra Cεla (We Share a Husband): Song as Social Comment on Polygamy in Southern Mali5 cited
  • 2010Civil taxis and wild trucks: the dialectics of social space and subjectivity inDimanche à Bamako3 cited

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2020
Jali popular song and conflict mediation in the aftermath of the Gambia’s 2016 election
3 cited