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From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s
7 references·1 citing·30 second hop
From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s (2011)From Listening to Distribution: Nonoffici…Community Music Therapy (2015)Community Music TherapyMusic, Experience, and the Anthropology of Emotion (2012)Music, Experience, and the An…Mechanical Sound: Technology, Culture, and Public Problems of Noise in theTwentieth Century (2008)Mechanical Sound: Technology,…The Second Economy of the Soviet Union and Eastern Europe (1987)The Second Economy of the Sov…Songs to Seven Strings (Russian Guitar Poetry and Soviet "Mass Song") (1987)Songs to Seven Strings (Russi…How is Extra-Musical Meaning Possible? Music as a Place and Space for "Work" (1986)How is Extra-Musical Meaning …Some institutional aspects of pop and rock in Hungary (1983)Some institutional aspects of…Niche Underground: Media, Technology, and the Reproduction of Underground Cultural Capital (2020)Niche Underground: Media, Tec…Factory and Manager in the USSR (1957)Crime and Social Justice (1981)Annual review of anthropology (1988)Theorizing socialism: a prologue to the “transition” (1991)"Your Eyes Are Green like Dollars": Counterfeit Cash, National Substance, and Currency Apartheid in 1990s Russia (1998)Post-Soviet informality: towards theory-building (2015)Emotion and Meaning in Music (1961)‘When You're Trying Something on You Picture Yourself in a Place Where They are Playing This Kind of Music’ — Musically Sponsored Agency in the British Clothing Retail Sector (2000)Music into action: performing gender on the Viennese concert stage, 1790–1810 (2002)The symbolic consumption of music (2010)Mind, Self, and Society (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Club cultures: music, media and subcultural capital (1996)The long tail: why the future of business is selling less of more (2007)“We are of one blood”: Hungarian popular music, nationalism and the trajectory of the song “Nélküled” through radicalization, folklorization and consecration (2022)Bodily rhythms: Corporeal capacities to engage with festival spaces (2010)Music Therapy: A Perspective from the Humanities (2010)Music therapy as an Anti-Oppressive Practice (2012)Disruption, dissonance and embodiment: creativity, health and risk in music narratives (2004)Corporeidad y experiencia musical (2005)Vernacular culture and the place of folk music (2005)POP MUSIC IN HUNGARY (1985)Popular dance music elements in the folk music of Gypsies in Hungary (1987)Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music (2018)How It Was Sung in Odessa: At the Intersection of Russian and Yiddish Folk Culture (2001)Bad Singing: Avtorskaia Pesnia and the Aesthetics of Metacommunication (2006)‘The most Martian of Martianesses’: Zhanna Aguzarova, (post-)Soviet rock ‘n’ roll, and the musico-linguistic creation of the ‘outside’ (2014)“Under the Bridge”: An Orientation to Soundscapes in New Orleans (2010)Introduction: Listening to American Studies (2011)Sound, Listening and Place: The aesthetic dilemma (2012)
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References

  • 2015Community Music Therapy197 cited
  • 1987The Second Economy of the Soviet Union and Eastern Europe115 cited
  • 1986How is Extra-Musical Meaning Possible? Music as a Place and Space for "Work"112 cited
  • 2008Mechanical Sound: Technology, Culture, and Public Problems of Noise in theTwentieth Century97 cited
  • 2012Music, Experience, and the Anthropology of Emotion40 cited
  • 1987Songs to Seven Strings (Russian Guitar Poetry and Soviet "Mass Song")15 cited
  • 1983Some institutional aspects of pop and rock in Hungary11 cited

Cited by

  • 2020Niche Underground: Media, Technology, and the Reproduction of Underground Cultural Capital5 cited

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