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Thermal analysis of carbonate pigments and linseed oil to optimize CO2 extraction for radiocarbon dating of lead white paintings
7 references·2 citing·40 second hop
Thermal analysis of carbonate pigments and linseed oil to optimize CO2 extraction for radiocarbon dating of lead white paintings (2020)Thermal analysis of carbonate pigments an…Synthesizing lead white pigments by lead corrosion: New insights into the ancient manufacturing processes (2018)Synthesizing lead white pigme…Selective Dating of Paint Components: Radiocarbon Dating of Lead White Pigment (2018)Selective Dating of Paint Com…Absolute dating of lead carbonates in ancient cosmetics by radiocarbon (2018)Absolute dating of lead carbo…New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)New Insights into the Ageing …A multi-analytical approach to studying binding media in oil paintings (2011)A multi-analytical approach t…New approaches for investigating paintings by ion beam techniques (2010)New approaches for investigat…Techniques of thermal analysis applied to the study of cultural heritage (2007)Techniques of thermal analysi…Radiocarbon dating of lead white: novel application in the study of polychrome sculpture (2021)Radiocarbon dating of lead wh…Unexpected presence of 14C in inorganic pigment for an absolute dating of paintings (2020)Unexpected presence of 14C in…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Aging and yellowing of triterpenoid resin varnishes – Influence of aging conditions and resin composition (2009)Organic Mass Spectrometry in Art and Archaeology (2009)Rheology of white paints: How Van Gogh achieved his famous impasto (2014)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Comprehensive Characterization of Drying Oil Oxidation and Polymerization Using Time-Resolved Infrared Spectroscopy (2024)DETERMINATION OF THE FIRING TEMPERATURE OF ANCIENT CERAMICS BY MEASUREMENT OF THERMAL EXPANSION (1963)Materials Issues in Art and Archaeology (1991)Bricks in historical buildings of Toledo City: characterisation and restoration (2003)TG–DSC analysis applied to contemporary oil paints (2011)A Multidisciplinary Approach to the Study of Archaeological Mortars from the Town ofAmmaiain the Roman Province of Lusitania (Portugal) (2013)Original treatises on the arts of painting (1967)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Ion beam analysis of art works: 14 years of use in the Louvre (2004)External-PIXE analysis for the study of pigments from a painting from the Museum of Contemporary Art (2014)Non-invasive quantitative micro-PIXE–RBS/EBS/EBS imaging reveals the lost polychromy and gilding of the Neo-Assyrian ivories from the Louvre collection (2015)The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds (2016)A review of solvent action on oil paint (2020)Cosmetics, Perfumes and Incense in Ancient Egypt (1930)Making make-up in Ancient Egypt (1999)EVAPORITES OF THE WADI NATRUN: SEASONAL AND ANNUAL VARIATION AND ITS IMPLICATION FOR ANCIENT EXPLOITATION* (2004)The Ins and Outs of 14C Dating Lead White Paint for Artworks Application (2020)Not only wall paintings—pigments for cosmetics (2021)Recipes of Ancient Egyptian kohls more diverse than previously thought (2022)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium (2008)Unveiling Harriet Backer: ICP–OES study for the characterisation of the colour tubes from her original paint box (2019)The materials and techniques of medieval painting (1956)Studies of Lead Corrosion in Acetic Acid Environments (1998)Lead soaps in paintings: Friends or foes? (2016)Degradation of red lead pigment in the oil painting during UV aging (2019)Unraveling the Composition of Rembrandt's Impasto through the Identification of Unusual Plumbonacrite by Multimodal X‐ray Diffraction Analysis (2019)The chemistry of making color in art (2021)Evolution of prehistoric cave art (2001)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Multilayers quantitative X-ray fluorescence analysis applied to easel paintings (2009)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)
this work references cited by second hop

References

  • 2012New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study129 cited
  • 2018Synthesizing lead white pigments by lead corrosion: New insights into the ancient manufacturing processes47 cited
  • 2018Absolute dating of lead carbonates in ancient cosmetics by radiocarbon44 cited
  • 2007Techniques of thermal analysis applied to the study of cultural heritage41 cited
  • 2018Selective Dating of Paint Components: Radiocarbon Dating of Lead White Pigment36 cited
  • 2011A multi-analytical approach to studying binding media in oil paintings36 cited
  • 2010New approaches for investigating paintings by ion beam techniques30 cited

Cited by

  • 2020Unexpected presence of 14C in inorganic pigment for an absolute dating of paintings19 cited
  • 2021Radiocarbon dating of lead white: novel application in the study of polychrome sculpture11 cited

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