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Tricky, Fine, and Trapped: Painting the Femme Forte in Early Seventeenth-Century France
4 references·0 citing·10 second hop
Tricky, Fine, and Trapped: Painting the Femme Forte in Early Seventeenth-Century France (2019)Tricky, Fine, and Trapped: Painting the F…Patriarchal Territories: The Body Enclosed (2015)Patriarchal Territories: The …Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds (2002)Rape in Antiquity: Sexual Vio…:Cassone Painting, Humanism, and Gender in Early Modern Italy (1999):Cassone Painting, Humanism, …The Rapes of Lucretia: A Myth and Its Transformations (1984)The Rapes of Lucretia: A Myth…Re-Textualizing Lucretia: Cultural Subversion in the City of God (1994)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)Women Writing the English Republic, 1625–1681 (2017)The Making of a Prostitute: Apollodoros's Portrait of Neaira (2005)Greek Tragedy: A Rape Culture? (2011)Weinstein, sexual predation, and ‘Rape Culture’: Public pedagogies and Hashtag Internet activism (2018)HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO (2008)Renaissance Homer and Wedding Chests: The Odyssey at the Crossroads of Humanist Learning, the Visual Vernacular, and the Socialization of Bodies (2017)Historicizing the Self-Starved Female Body in A Woman Killed with Kindness (2004)Francis Bacon’s New Atlantis (2018)
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References

  • 1984The Rapes of Lucretia: A Myth and Its Transformations121 cited
  • 2002Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds63 cited
  • 2015Patriarchal Territories: The Body Enclosed57 cited
  • 1999:Cassone Painting, Humanism, and Gender in Early Modern Italy34 cited

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