SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Nahenahe (Soft, Sweet, Melodious): Sounding Out Native Hawaiian Self-Determination
16 references·0 citing·27 second hop
Nahenahe (Soft, Sweet, Melodious): Sounding Out Native Hawaiian Self-Determination (2019)Nahenahe (Soft, Sweet, Melodious): Soundi…Protectors of the Future, Not Protestors of the Past: Indigenous Pacific Activism and Mauna a Wākea (2017)Protectors of the Future, Not…Aloha Betrayed: Native Hawaiian Resistance to American Colonialism (2017)Aloha Betrayed: Native Hawaii…The Political Force of Musical Beauty (2014)The Political Force of Musica…A Nation Rising (2014)A Nation RisingSelling Sounds (2012)Selling SoundsA Shark Going Inland Is My Chief (2012)A Shark Going Inland Is My Ch…Sharks and Pigs: Animating Hawaiian Sovereignty against the Anthropological Machine (2011)Sharks and Pigs: Animating Ha…The Seeds We Planted (2010)The Seeds We PlantedSelling sounds: the commercial revolution in American music (2009)Selling sounds: the commercia…Struggling to Define a Nation (2008)Struggling to Define a NationReal Country: Music and Language in Working-Class Culture (2004)Real Country: Music and Langu…Real Country (2004)Real CountryAloha Betrayed (2004)Aloha BetrayedNoise... The Political Economy of Music (1988)Noise... The Political Econom…Birth of the Modern Hawaiian Movement: Kalama Valley, O'ahu (1987)Birth of the Modern Hawaiian …Noise: The Political Economy of Music (1986)Noise: The Political Economy …Decolonization is not a metaphor (2012)Consuming Ocean Island: stories of people and phosphate from Banaba (2015)‘We’d rather eat rocks’: Contesting the Thirty Meter Telescope in a Struggle over Science and Sovereignty in Hawai‘i (2020)Environmental Justice, Indigenous Knowledge Systems, and Native Hawaiians and Other Pacific Islanders (2020)Radical Care (2020)Lost in the Shuffle: Technology, History, and the Idea of Musical Randomness (2014)Modernity's ear: listening to race and gender in world music (2016)Musical exploration via streaming services: The Norwegian experience (2016)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)A Sweet Lullaby for World Music (2000)Doing anthropology in sound (2004)Islands of indigeneity: Cultural distinction, indigenous territory and island spatiality (2018)COVID-19 Special Column: COVID-19 Hits Native Hawaiian and Pacific Islander Communities the Hardest. (2020)BETWEEN SUBALTERNITY AND INDIGENEITY (2011)The Cambridge History of Nineteenth-Century Political Thought (2011)Feminist Theory Today (2017)Soundscapes: Toward a Sounded Anthropology (2010)Anthropology and Voice (2014)Educate to perpetuate: Land-based pedagogies and community resurgence (2019)Inawendiwin and Relational Accountability in Anishnaabeg Studies: The Crux of the Biscuit (2019)The Audacity of Affect: Gender, Race, and History in Linguistic Accounts of Legitimacy and Belonging (2009)The Reorganization of the Sensory World (2010)Language and Materiality in Global Capitalism (2012)Colliding Histories: Hawai‘i Statehood at the Intersection of Asians “Ineligible to Citizenship” and Hawaiians “Unfit for Self-Government” (2010)White Feminist Gaslighting (2020)
this work references cited by second hop

References

  • 1986Noise: The Political Economy of Music1,625 cited
  • 1988Noise... The Political Economy of Music602 cited
  • 2004Aloha Betrayed573 cited
  • 2004Real Country301 cited
  • 2017Aloha Betrayed: Native Hawaiian Resistance to American Colonialism290 cited
  • 2010The Seeds We Planted208 cited
  • 2014A Nation Rising201 cited
  • 2017Protectors of the Future, Not Protestors of the Past: Indigenous Pacific Activism and Mauna a Wākea162 cited
  • 2009Selling sounds: the commercial revolution in American music151 cited
  • 2004Real Country: Music and Language in Working-Class Culture134 cited
  • 2008Struggling to Define a Nation114 cited
  • 2011Sharks and Pigs: Animating Hawaiian Sovereignty against the Anthropological Machine111 cited
  • 2014The Political Force of Musical Beauty85 cited
  • 2012A Shark Going Inland Is My Chief79 cited
  • 1987Birth of the Modern Hawaiian Movement: Kalama Valley, O'ahu66 cited
  • 2012Selling Sounds62 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work