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Identification of Organic Materials Used in Gilding Technique in Wall Paintings of Kizil Grottoes
16 references·1 citing·48 second hopsampled
Identification of Organic Materials Used in Gilding Technique in Wall Paintings of Kizil Grottoes (2020)Identification of Organic Materials Used …Investigation of gilding materials and techniques in wall paintings of Kizil Grottoes (2019)Investigation of gilding mate…Time‐Dependent ATR‐FTIR Spectroscopic Studies on Fatty Acid Diffusion and the Formation of Metal Soaps in Oil Paint Model Systems (2018)Time‐Dependent ATR‐FTIR Spect…Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry (2018)Method development for bindin…Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Investigating Asian colourant…The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry (2017)The characterisation of shell…Gildings from Andalusia: Materials used in different types of artworks along centuries (2017)Gildings from Andalusia: Mate…Technical analysis of a Central Asian wall painting detached from a Buddhist cave temple on the northern Silk Road (2015)Technical analysis of a Centr…Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)Comparative analysis of easte…Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Characterisation of metal car…Colored grounds of gilt stucco surfaces as analyzed by a combined microscopic, spectroscopic and elemental analytical approach (2010)Colored grounds of gilt stucc…Dye Analysis of Shosoin Textiles Using Excitation−Emission Matrix Fluorescence and Ultraviolet−Visible Reflectance Spectroscopic Techniques (2009)Dye Analysis of Shosoin Texti…Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Applications of synchrotron-b…Identification of garlic in old gildings by gas chromatography–mass spectrometry (2006)Identification of garlic in o…FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)FTIR Studies of the Effects o…Applications of mass spectrometry in cultural heritage: identification of ligands employed for mordant gilding (2000)Applications of mass spectrom…Gilded Stuccoes of the Italian Baroque (1998)Gilded Stuccoes of the Italia…Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China (2021)Analytical study of Buddha sc…The Organic Chemistry of Museum Objects (1988)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Organic Chemistry of Museum Objects (2012)Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer (2019)Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application (2021)National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds (2016)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)Handbuch der Orientalistik (1954)Technical Studies in the Field of the Fine Arts (1977)Investigation of Gold Gilding Materials and Techniques Applied in the Murals of Kizil Grottoes, Xinjiang, China (2022)Multimethod characterization of terracotta figurines and lime mortar from the elite burials Shoroon Bumbagar I and II, Mongolia (2022)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)High-performance liquid chromatographic determination of some anthraquinone and naphthoquinone dyes occurring in historical textiles (1999)Investigation of natural dyes occurring in historical Coptic textiles by high-performance liquid chromatography with UV–Vis and mass spectrometric detection (2003)Characterization of dyes in ancient textiles from Yingpan, Xinjiang (2013)Non-invasive study of natural dyes on historical textiles from the collection of Michelangelo Guggenheim (2018)Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles (2020)VERMILION AND CINNABAR (1972)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy (2013)Lead soaps in paintings: Friends or foes? (2016)The Characterization of Metal Soaps (2003)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Negative ion ESI–MS analysis of natural yellow dye flavonoids—An isotopic labelling study (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Historical formulations of lake pigments and dyes derived from lac: A study of compositional variability (2019)Organic colorants based on lac dye and brazilwood as markers for a chronology and geography of medieval scriptoria: a chemometrics approach (2021)ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings (2015)Ionomer-like structure in mature oil paint binding media (2016)Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing (2019)The concentration and origins of carboxylic acid groups in oil paint (2019)Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques (2020)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)A Mass Spectrometry-Based Approach for Characterization of Red, Blue, and Purple Natural Dyes (2020)Profiling by HPLC-DAD-MSD reveals a 2500-year history of the use of natural dyes in Northwest China (2021)Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science (2018)Recognition of fake paintings of the 20th-century Russian avant-garde using the physicochemical analysis of zinc white (2021)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Visualization and mapping of literature on the scientific analysis of wall paintings: a bibliometric analysis from 2011 to 2021 (2022)
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References

  • 2014Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art237 cited
  • 2005FTIR Studies of the Effects of Pigments on the Aging of Oil232 cited
  • 2008Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings140 cited
  • 2018Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database97 cited
  • 2018Time‐Dependent ATR‐FTIR Spectroscopic Studies on Fatty Acid Diffusion and the Formation of Metal Soaps in Oil Paint Model Systems82 cited
  • 2017The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry65 cited
  • 2015Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments59 cited
  • 2009Dye Analysis of Shosoin Textiles Using Excitation−Emission Matrix Fluorescence and Ultraviolet−Visible Reflectance Spectroscopic Techniques56 cited
  • 2015Technical analysis of a Central Asian wall painting detached from a Buddhist cave temple on the northern Silk Road37 cited
  • 2019Investigation of gilding materials and techniques in wall paintings of Kizil Grottoes32 cited
  • 2006Identification of garlic in old gildings by gas chromatography–mass spectrometry32 cited
  • 2010Colored grounds of gilt stucco surfaces as analyzed by a combined microscopic, spectroscopic and elemental analytical approach

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28 cited
  • 1998Gilded Stuccoes of the Italian Baroque26 cited
  • 2017Gildings from Andalusia: Materials used in different types of artworks along centuries19 cited
  • 2000Applications of mass spectrometry in cultural heritage: identification of ligands employed for mordant gilding19 cited
  • 2018Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry13 cited
  • Cited by

    • 2021Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China13 cited