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Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices
16 references·7 citing·25 second hop
Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)Shades of blue: non-invasive spectroscopi…Consejo Nacional para la Cultura y las Artes (2014)Consejo Nacional para la Cult…Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Reflection infrared spectrosc…Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Chemical stability and dehydr…In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)In Situ Noninvasive Study of …The Color and Stability of Maya Blue: TDDFT Calculations (2009)The Color and Stability of Ma…A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology:…Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Organic/inorganic complex pig…SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)SYNTHESIS AND ACID RESISTANCE…Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Identification of the Pre-Col…The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice (2003)The Nature of the Colour Cent…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)A spectrophotometric and fluo…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Maya Blue: Alternative Hypotheses (1962)Maya Blue: Alternative Hypoth…History of Natural Dyes in the Ancient Mediterranean Civilization (2023)History of Natural Dyes in th…Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)Influence of indigo-hydroxyl …The chemistry of making color in art (2021)The chemistry of making color…Influences of micropores and water molecules in the palygorskite structure on the color and stability of Maya blue pigment (2021)Influences of micropores and …Colour stability of wood coatings pigmented with natural indigo from Isatis tinctoria after accelerated weathering (2021)Colour stability of wood coat…Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes) (2021)Colors and dyes of archaeolog…An imaging and spectroscopic methodology for in situ analysis of ceiling and wall decorations in Colonial missions in Northern Mexico from XVII to XVIII centuries (2020)An imaging and spectroscopic …Maya Blue Paint: An Ancient Nanostructured Material (1996)Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Painting Materials: A Short Encyclopedia (2011)Maya Blue: A Computational and Spectroscopic Study (2005)The Maya Blue Pigment (2011)Art on the Nanoscale and Beyond (2015)Pigment Compendium: A Dictionary of Historical Pigments (2007)The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium (2008)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Analytical chemistry in the field of cultural heritage (2015)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Pigments—the palette of organic colourants in wall paintings (2021)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art (2018)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)
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References

  • 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 1998A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings135 cited
  • 2006SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT*122 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited
  • 2011Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment111 cited
  • 2007Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment110 cited
  • 2007Organic/inorganic complex pigments: Ancient colors Maya Blue104 cited
  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2009The Color and Stability of Maya Blue: TDDFT Calculations89 cited
  • 2003The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice86 cited
  • 1962Maya Blue: Alternative Hypotheses

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81 cited
  • 2014Consejo Nacional para la Cultura y las Artes75 cited
  • 2004Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques71 cited
  • Cited by

    • 2021Influences of micropores and water molecules in the palygorskite structure on the color and stability of Maya blue pigment32 cited
    • 2021Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)27 cited
    • 2021The chemistry of making color in art27 cited
    • 2022Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment21 cited
    • 2023History of Natural Dyes in the Ancient Mediterranean Civilization17 cited
    • 2021Colour stability of wood coatings pigmented with natural indigo from Isatis tinctoria after accelerated weathering14 cited
    • 2020An imaging and spectroscopic methodology for in situ analysis of ceiling and wall decorations in Colonial missions in Northern Mexico from XVII to XVIII centuries13 cited