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Music in a New Found Land
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Music in a New Found Land (2017)Music in a New Found LandMusic in the Age of Anxiety: American Music in the Fifties (2016)Music in the Age of Anxiety: …SCORING ESSINGTON Composition, Comprovisation, Collaboration (2011)SCORING ESSINGTON Composition…Some Notes on the Musical Landscape (2009)Some Notes on the Musical Lan…Where Did Porgy and Bess Come From? (2006)Where Did Porgy and Bess Come…An American Folk Opera? Triangulating Folkness, Blackness, and Americaness in Gershwin and Heyward's Porgy and Bess (2004)An American Folk Opera? Trian…Women Patrons and Activists For Modernist Music: New York in the 1920s (1997)Women Patrons and Activists F…‘Ethnic’ music traditions in the USA (black music; country music; others; all) (1994)‘Ethnic’ music traditions in …Ruth Crawford's "Spiritual Concept": The Sound-Ideals of an Early American Modernist, 1924-1930 (1991)Ruth Crawford's "Spiritual Co…The Afro-American Transformation of European Set Dances and Dance Suites (1988)The Afro-American Transformat…A theoretical model for the sociomusicological analysis of popular musics (1982)A theoretical model for the s…The Achievement of Ragtime: An Introductory Study with some Implications for British Research in Popular Music (1978)The Achievement of Ragtime: A…Evolution and the New World Vision in the Music of Charles Ives (1974)Evolution and the New World V…Musical presentation of motion pictures (1921)The Study of Ethnomusicology (1986)Unheard melodies: narrative film music (1988)Composing for the Films (1947)After the Great Divide: Modernism, Mass Culture, Postmodernism (1987)Musicology and difference: Gender and sexuality in music scholarship (1993)The Cambridge Companion to Modernism (1999)“You Too Can Compose” (2017)The Presentation of Self in Everyday Life. (1956)The Sociological Imagination (1959)The Social Construction of Reality (1967)The musical soundscape as a contest area: `oriental music' and Israeli popular music (1986)Argentina's "Rock Nacional": The Struggle for Meaning (1989)Brian Eno: his music and the vertical color of sound (1990)A Religious History of the American People. (1973)The Spiritual in Art: Abstract Painting, 1890-1985 (1986)Women Making Music: The Western Art Tradition, 1150-1950 (1988)The Color of Music Heritage: Chinese America in American Ultra-Modern Music (2009)A Russian Mystic in the Age of Aquarius: The U.S. Revival of Alexander Scriabin in the 1960s (2012)The crisis of the Negro intellectual (1967)The Broadway Musical: A Critical and Musical Survey (1992)America's musical life: a history (2001)THE DIASPORA OF WEST AFRICA: THE INFLUENCE OF WEST AFRICAN CULTURES ON “JODY CALLS” IN THE UNITED STATES MILITARY (2009)Performing Catfish Row in the Soviet Union: The Everyman Opera Company andPorgy and Bess, 1955–56 (2017)The New Negro (1925)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)In Search of Authenticity: The Formation of Folklore Studies (1998)“Dixie Carmen ”: War, Race, and Identity in Oscar Hammerstein's Carmen Jones (1943) (2010)Africa as Voices and Vibes: Musical Routes in Toni Morrison's Margaret Garner and Desdemona (2015)They All Played Ragtime (1950)The Story of Jazz (1956)In Search of Buddy Bolden: First Man of Jazz (1978)Interaction and Improvisation between Dancers and Drummers in Martinican Bele (1998)Discussion: Creolization, complexity, and time (2000)THE DISAPPEARING DANCE: MAXIXE'S IMPERIAL ERASURE (2016)Sexual Behavior in the Human Female (1954)Outsiders; studies in the sociology of deviance (1963)Subculture: The Meaning of Style (1995)
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  • 1982A theoretical model for the sociomusicological analysis of popular musics50 cited
  • 1988The Afro-American Transformation of European Set Dances and Dance Suites46 cited
  • 1994‘Ethnic’ music traditions in the USA (black music; country music; others; all)17 cited
  • 2004An American Folk Opera? Triangulating Folkness, Blackness, and Americaness in Gershwin and Heyward's Porgy and Bess15 cited
  • 2006Where Did Porgy and Bess Come From?11 cited
  • 1991Ruth Crawford's "Spiritual Concept": The Sound-Ideals of an Early American Modernist, 1924-193011 cited
  • 2016Music in the Age of Anxiety: American Music in the Fifties10 cited
  • 1997Women Patrons and Activists For Modernist Music: New York in the 1920s7 cited
  • 2011SCORING ESSINGTON Composition, Comprovisation, Collaboration4 cited
  • 2009Some Notes on the Musical Landscape4 cited
  • 1978The Achievement of Ragtime: An Introductory Study with some Implications for British Research in Popular Music3 cited
  • 1974Evolution and the New World Vision in the Music of Charles Ives3 cited

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