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Negotiating with Authenticity to Ensure Sustainability of Traditional Cultural Festivals: Residents’ Perspectives about Macao’s Drunken Dragon Festival
16 references·3 citing·50 second hop
Negotiating with Authenticity to Ensure Sustainability of Traditional Cultural Festivals: Residents’ Perspectives about Macao’s Drunken Dragon Festival (2020)Negotiating with Authenticity to Ensure S…Cultural sustainability and fluidity in Bhutan's traditional festivals (2018)Cultural sustainability and f…Tourism: A catalyst for existential authenticity (2012)Tourism: A catalyst for exist…Evaluating intangible cultural heritage: The case of cultural festivals (2012)Evaluating intangible cultura…Resident Perceptions of Mega-Sporting Events: A Non-Host City Perspective of the 2012 London Olympic Games (2009)Resident Perceptions of Mega-…Residents' Perceptions towards the Impacts of the Beijing 2008 Olympic Games (2008)Residents' Perceptions toward…Intangible Heritage (2008)Intangible HeritageTHE MEANING OF CULTURAL FESTIVALS (2007)THE MEANING OF CULTURAL FESTI…Safeguarding intangible cultural heritage: key factors in implementing the 2003 convention. (2007)Safeguarding intangible cultu…Event tourism: Definition, evolution, and research (2007)Event tourism: Definition, ev…Hosting mega events (2006)Hosting mega eventsFestival Attendance and the Development of Social Capital (2006)Festival Attendance and the D…Perceived impacts of festivals and special events by organizers: an extension and validation (2003)Perceived impacts of festival…Festival as creative destination (2003)Festival as creative destinat…Rethinking authenticity in tourism experience (1999)Rethinking authenticity in to…Cutoff criteria for fit indexes in covariance structure analysis: Conventional criteria versus new alternatives (1999)Cutoff criteria for fit index…Intraclass Reliability Estimates: Testing Structural Assumptions (1974)Intraclass Reliability Estima…Transforming dance education in China: enhancing sustainable development and cultural preservation (2025)Transforming dance education …Stakeholders’ perspectives of intangible cultural heritage tourism: A systematic review (2025)Stakeholders’ perspectives of…Evaluating the Authenticity of Naxi Music in Three Stages from the Perspective of Naxi Musicians: An Application of Lacan’s Mirror Stage Theory (2021)Evaluating the Authenticity o…Evaluating Structural Equation Models with Unobservable Variables and Measurement Error (1981)Structural equation modeling in practice: A review and recommended two-step approach. 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References

  • 1999Cutoff criteria for fit indexes in covariance structure analysis: Conventional criteria versus new alternatives108,592 cited
  • 1999Rethinking authenticity in tourism experience3,312 cited
  • 2007Event tourism: Definition, evolution, and research2,247 cited
  • 1974Intraclass Reliability Estimates: Testing Structural Assumptions1,657 cited
  • 2006Hosting mega events571 cited
  • 2003Perceived impacts of festivals and special events by organizers: an extension and validation534 cited
  • 2003Festival as creative destination432 cited
  • 2006Festival Attendance and the Development of Social Capital429 cited
  • 2012Tourism: A catalyst for existential authenticity314 cited
  • 2008Residents' Perceptions towards the Impacts of the Beijing 2008 Olympic Games306 cited
  • 2009Resident Perceptions of Mega-Sporting Events: A Non-Host City Perspective of the 2012 London Olympic Games267 cited
  • 2008Intangible Heritage224 cited
  • 2007THE MEANING OF CULTURAL FESTIVALS174 cited
  • 2012Evaluating intangible cultural heritage: The case of cultural festivals173 cited
  • 2007Safeguarding intangible cultural heritage: key factors in implementing the 2003 convention.130 cited

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  • 2018Cultural sustainability and fluidity in Bhutan's traditional festivals46 cited
  • Cited by

    • 2025Stakeholders’ perspectives of intangible cultural heritage tourism: A systematic review19 cited
    • 2025Transforming dance education in China: enhancing sustainable development and cultural preservation15 cited
    • 2021Evaluating the Authenticity of Naxi Music in Three Stages from the Perspective of Naxi Musicians: An Application of Lacan’s Mirror Stage Theory9 cited