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”Not African Enough?” Global Dynamics and Local Contestations over Dress Practice and Fashion Design in Zambia
7 references·1 citing·28 second hop
”Not African Enough?” Global Dynamics and Local Contestations over Dress Practice and Fashion Design in Zambia (2019)”Not African Enough?” Global Dynamics and…The commodification of ethnicity: Vlisco fabrics and wax cloth fashion in Ghana (2015)The commodification of ethnic…Clothing poverty: the hidden world of fast fashion and second-hand clothes (2015)Clothing poverty: the hidden …New African Fashion (2011)New African FashionThe Global Circulation of African Fashion (2010)The Global Circulation of Afr…Making Fashion in the City: A Case Study of Tailors and Designers in Dakar, Senegal (2009)Making Fashion in the City: A…Helping or hindering? Controversies around the international second‐hand clothing trade (2004)Helping or hindering? Controv…Salaula: the world of secondhand clothing and Zambia (2001)Salaula: the world of secondh…Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia (2024)Tailoring Modernity and Wrapp…Old clothes, new looks : second-hand fashion (2005)Rethinking governance and value in commodity chains through global recycling networks (2012)Stretching global production networks: The international second-hand clothing trade (2012)Standard vs. Upcycled Fashion Design and Production (2016)Modernity at Large: Cultural Dimensions of Globalization. (1998)Are births just “women's business”? Gift exchange, value, and global volatility in Muslim Senegal (2011)Diverging pathways: young female employment and entrepreneurship in sub‐Saharan Africa (2012)African-Print Fashion Now! A Story of Taste, Globalization, and Style (2017)The Visual Culture Reader (2021)An Introduction to Visual Culture (2023)How Europe Underdeveloped Africa (1997)Theory from the South: Or, how Euro-America is Evolving Toward Africa (2012)The End of the Cognitive Empire (2018)Blockchain-enabled circular supply chain management: A system architecture for fast fashion (2020)Rebirth fashion: Secondhand clothing consumption values and perceived risks (2020)Second-hand clothing markets and a just circular economy? Exploring the role of business forms and profit (2023)Hot and Haute: Alphadi's Fashion for Peace (2014)Globalization and the culture/creative industries: An assessment of Nigeria’s position in the global space (2017)Fashion and Environmental Sustainability (2023)Projecting Authenticity with Cultural Heritage: Chinoiserie of Contemporary Chinese Fashion Designer Brands (2021)Impact of Westernization on Ghanaian Culture and Fashion (2023)Fashions in Africa, and Africas in Fashion – Global Africa as Method (2026)Is Local: Global as Feminine: Masculine? Rethinking the Gender of Globalization (2001)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Marketing Systems—A Core Macromarketing Concept (2007)The fabric of Africanity (2007)Personal Fashion Blogs: Screens and Mirrors in Digital Self-portraits (2011)Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry (2016)
this work references cited by second hop

References

  • 2001Salaula: the world of secondhand clothing and Zambia273 cited
  • 2015Clothing poverty: the hidden world of fast fashion and second-hand clothes83 cited
  • 2004Helping or hindering? Controversies around the international second‐hand clothing trade69 cited
  • 2010The Global Circulation of African Fashion52 cited
  • 2009Making Fashion in the City: A Case Study of Tailors and Designers in Dakar, Senegal26 cited
  • 2015The commodification of ethnicity: Vlisco fabrics and wax cloth fashion in Ghana16 cited
  • 2011New African Fashion14 cited

Cited by

  • 2024Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia2 cited

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