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Twenty-First Century Musicals
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Twenty-First Century Musicals (2017)Twenty-First Century MusicalsTheatre-Making: Interplay between Text and Performance in the 21st Century (2014)Theatre-Making: Interplay bet…Voice, Body and the Transmission of the Real in Documentary Theatre (2013)Voice, Body and the Transmiss…Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin (2013)Postdramatic Reality Theatre …In The Space Of A Song: The Uses of Song in Film (2013)In The Space Of A Song: The U…Two different roads to new musicals in 2011 London: London Road and Road Show (2012)Two different roads to new mu…Trauma, Authenticity and the Limits of Verbatim (2011)Trauma, Authenticity and the …Making contemporary theatre: international rehearsal processes (2011)Making contemporary theatre: …Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts (2010)Towards a Theatre of Encounte…Presence in Play: A Critique of Theories of Presence in the Theatre (2008)Presence in Play: A Critique …The haunted stage: the theatre as memory machine (2002)The haunted stage: the theatr…Difference and repetition (1994)Difference and repetition‘Verbatim Theatre’: Oral History and Documentary Techniques (1987)‘Verbatim Theatre’: Oral Hist…Unclaimed Experience (1996)Unclaimed experience: trauma, narrative, and history (1997)Saying it right : creating ethical verbatim theatre (2011)Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I Am Walking (2012)‘A person with some sort of learning disability’: the aetiological narrative and public construction of Susan Boyle (2013)The Four Fundamental Concepts of Psycho-Analysis (2018)The Cambridge Introduction to Theatre Studies (2008)The Oxford Handbook of The American Musical (2011)The Drama of Memory in Shakespeare's History Plays (2015)Lena Horne and Judy Garland: Divas, Desire, and Discipline in the Civil Rights Era (2014)In-between Performance and Mediatization: Authentication and (Re)-Live(d) Concert Experience (2016)Singing and Dancing in Widescreen (2022)Mapping Irish Theatre: Theories of Space and Place (2013)Rajini’s Finger, Indexicality, and the Metapragmatics of Presence (2017)Writing and the Modern Stage: Theater beyond Drama (2017)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Human geography without scale (2005)Toward a Global Idea of Race (2010)The Politics and Poetics of Listening: Attending Headphone Verbatim Theatre in Post-Cronulla Australia (2014)Polio monologues: translating ethnographic text into verbatim theatre (2017)Using performative knowledge production to explore marketplace exclusion (2017)Funding, product placement and drunkenness in Punchdrunk's The Black Diamond (2012)Hayloft’s Thyestes : Adapting Seneca for the Australian Stage and Context (2014)Postdramatic Methods of Adaptation in the Age of Digital Collaborative Writing (2015)Investigation into the production of meaning in autobiographical performance in dramatherapy (2020)The use of research‐based theatre in a project related to metastatic breast cancer (2000)Verbatim Theatre, Media Relations and Ethics (2007)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)Improvisation and Social Aesthetics (2017)Scenic Transitions: From Drama to Experimental Practices in Irish Theatre (2018)Postdramatic Tragedies (2019)
this work references cited by second hop

References

  • 1994Difference and repetition6,750 cited
  • 2002The haunted stage: the theatre as memory machine690 cited
  • 1987‘Verbatim Theatre’: Oral History and Documentary Techniques133 cited
  • 2013In The Space Of A Song: The Uses of Song in Film100 cited
  • 2011Making contemporary theatre: international rehearsal processes60 cited
  • 2008Presence in Play: A Critique of Theories of Presence in the Theatre56 cited
  • 2013Voice, Body and the Transmission of the Real in Documentary Theatre35 cited
  • 2011Trauma, Authenticity and the Limits of Verbatim32 cited
  • 2010Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts31 cited
  • 2014Theatre-Making: Interplay between Text and Performance in the 21st Century21 cited
  • 2013Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin9 cited
  • 2012Two different roads to new musicals in 2011 London: London Road and Road Show2 cited

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