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De l’original perdu à la série : nouvelles approches des multiples gréco-romains
8 references·0 citing·18 second hop
De l’original perdu à la série : nouvelles approches des multiples gréco-romains (2019)De l’original perdu à la série : nouvelle…Supports in Roman Marble Sculpture (2018)Supports in Roman Marble Scul…Ornament and Figure in Graeco-Roman Art (2018)Ornament and Figure in Graeco…Legacies of Matter: The Reception and Remediation of Material Traditions in Roman Sculpture (2018)Legacies of Matter: The Recep…Framing and Social Identity in Roman Portrait Statues (2017)Framing and Social Identity i…Women and visual replication in Roman imperial art and culture (2012)Women and visual replication …MAKING AN IMPRESSION: REPLICATION AND THE ONTOLOGY OF THE GRAECO‐ROMAN SEAL STONE (2006)MAKING AN IMPRESSION: REPLICA…The Villa dei Papiri at Herculaneum: life and afterlife of a sculpture collection (2005)The Villa dei Papiri at Hercu…Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1981)Absorption and Theatricality:…Le message photographique (1961)Rhétorique de l'image (1964)Transparent Pictures: On the Nature of Photographic Realism (1984)Making Myron's Cow Moo?: Ecphrastic Epigram and the Poetics of Simulation (2010)Reading a View: Poem and Picture in the Greek Anthology (2010)Representation and the materiality of the book in the polymetrics (2012)Eighteenth-Century Fiction and the Law of Property (2002)Theatricality: The Specificity of Theatrical Language (2002)Scenes: Social Context in an Age of Contingency (2010)The Rise of Byzantine Art and Archaeology in Late Imperial Russia (2020)Materiality in Roman Art and Architecture (2021)Down from the roof: reframing plants in Augustan art (2022)Studying Gender in Classical Antiquity (2013)The Poetics of Power in Augustan Rome (2018)Imperial Women of Rome (2021)Walking in Roman Culture (2011)Tracking ink composition on Herculaneum papyrus scrolls: quantification and speciation of lead by X-ray based techniques and Monte Carlo simulations (2016)Gender, Identity and the Body in Greek and Roman Sculpture (2018)
this work references cited by second hop

References

  • 1981Absorption and Theatricality: Painting and Beholder in the Age of Diderot456 cited
  • 2012Women and visual replication in Roman imperial art and culture138 cited
  • 2006MAKING AN IMPRESSION: REPLICATION AND THE ONTOLOGY OF THE GRAECO‐ROMAN SEAL STONE130 cited
  • 2005The Villa dei Papiri at Herculaneum: life and afterlife of a sculpture collection100 cited
  • 2018Ornament and Figure in Graeco-Roman Art53 cited
  • 2017Framing and Social Identity in Roman Portrait Statues24 cited
  • 2018Supports in Roman Marble Sculpture16 cited
  • 2018Legacies of Matter: The Reception and Remediation of Material Traditions in Roman Sculpture15 cited

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