SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
From “Mine” to “Ours”: Gendered Hierarchies of Authorship and the Limits of Taylor Swift’s Paratextual Feminism
14 references·4 citing·41 second hop
From “Mine” to “Ours”: Gendered Hierarchies of Authorship and the Limits of Taylor Swift’s Paratextual Feminism (2019)From “Mine” to “Ours”: Gendered Hierarchi…Playing to the Crowd (2019)Playing to the CrowdEmpowered: Popular Feminism and Popular Misogyny Empowered: Popular Feminism and Popular Misogyny , by Sarah Banet-Weiser, Durham and London, Duke University Press, 2018, 240 pp., (pbk), ISBN 978-1-4780-0291-8 (2019)Empowered: Popular Feminism a…Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection (2018)Playing to the Crowd: Musicia…Empowered: Popular Feminism and Popular Misogyny (2018)Empowered: Popular Feminism a…Post-postfeminism?: new feminist visibilities in postfeminist times (2016)Post-postfeminism?: new femin…The Song Machine: Inside the Hit Factory (2015)The Song Machine: Inside the …Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom (2012)Tweeting @feliciaday: Online …To See and Be Seen: Celebrity Practice on Twitter (2011)To See and Be Seen: Celebrity…Authorship and the Popular Song (2011)Authorship and the Popular So…Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…A STAR IS BORNAND THE CONSTRUCTION OF AUTHENTICITY (2010)A STAR IS BORNAND THE CONSTRU…Stardom (2003)StardomCreating Country Music: Fabricating Authenticity (1999)Creating Country Music: Fabri…Creating Country Music: Fabricating Authenticity (1998)Creating Country Music: Fabri…Music in communication: a bibliometric review (2025)Music in communication: a bib…Taylor Swift's Branding Strategy (2024)Taylor Swift's Branding Strat…Drew a map on your bedroom ceiling: fandoms, nostalgic girlhood and digital bedroom cultures in the Swiftie-sphere (2024)Drew a map on your bedroom ce…“You Could Hear a Hair Pin Drop”: Queer Utopianism and Informal Knowledge Production in the Gaylor Closeting Conspiracy Theory (2024)“You Could Hear a Hair Pin Dr…Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Convergence Culture: Where Old and New Media Collide (2007)Patterns of listening through social media: online fan engagement with the live music experience (2012)Paratext and Digitized Narrative: Mapping the Field (2013)Fanfiction and the Author (2017)Mass Communication and Para-Social Interaction (1956)The Presentation of Self in Everyday Life. (1956)Instafame: Luxury Selfies in the Attention Economy (2015)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)Fostering Parasocial Relationships with Celebrities on Social Media: Implications for Celebrity Endorsement (2017)The Presentation of Self in Everyday Life (2023)Under Western Eyes: Feminist Scholarship and Colonial Discourses (1988)The Cultural Politics of Emotion (2013)The Cultural Politics of Emotion (2014)The affective, cultural and psychic life of postfeminism: A postfeminist sensibility 10 years on (2017)#MeToo and the promise and pitfalls of challenging rape culture through digital feminist activism (2018)Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation (2019)Feminist anger and feminist respair (2019)Introduction: anger, media, and feminism: the gender politics of mediated rage (2019)Safety valves for mediated female rage in the #MeToo era (2019)Parenting for a Digital Future (2020)Violence against Women in Politics (2020)Exchange and Power in Social Life. (1965)Distinction: A Social Critique of the Judgement of Taste. (1985)Tiered Governance and Demonetization: The Shifting Terms of Labor and Compensation in the Platform Economy (2020)Platform governance at the margins: Social media creators’ experiences with algorithmic (in)visibility (2022)The grand opening? The transformation of the content of culture sections in European newspapers, 1960–2010 (2017)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)Taylor Swift and the Work of Songwriting (2021)Gendered Visibility on Social Media: Navigating Instagram’s Authenticity Bind (2021)The Shadowban Cycle: an autoethnography of pole dancing, nudity and censorship on Instagram (2021)Idols of Promotion: The Triumph of Self-Branding in an Age of Precarity (2019)The ethnographer and the algorithm: beyond the black box (2020)Measuring algorithmically infused societies (2021)The Challenge of Cultural Elites: Celebrities and Social Movements* (1995)Media, Celebrities, and Social Influence: Identification With Elvis Presley (2002)“Can You Handle My Truth?”: Authenticity and the Celebrity Star Image (2009)The personal, the political and the popular (2006)White Women, Race Matters (2010)Branding athletes: Exploration and conceptualization of athlete brand image (2013)
this work references cited by second hop

References

  • 2011To See and Be Seen: Celebrity Practice on Twitter1,399 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2016Post-postfeminism?: new feminist visibilities in postfeminist times859 cited
  • 2019Empowered: Popular Feminism and Popular Misogyny Empowered: Popular Feminism and Popular Misogyny , by Sarah Banet-Weiser, Durham and London, Duke University Press, 2018, 240 pp., (pbk), ISBN 978-1-4780-0291-8483 cited
  • 2019Playing to the Crowd197 cited
  • 2003Stardom191 cited
  • 2018Empowered: Popular Feminism and Popular Misogyny184 cited
  • 2010A STAR IS BORNAND THE CONSTRUCTION OF AUTHENTICITY121 cited
  • 2018Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection98 cited
  • 2015The Song Machine: Inside the Hit Factory83 cited
  • 2012Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom70 cited
  • 1998Creating Country Music: Fabricating Authenticity66 cited
  • 2011Authorship and the Popular Song38 cited
  • 1999Creating Country Music: Fabricating Authenticity23 cited

Cited by

  • 2024Drew a map on your bedroom ceiling: fandoms, nostalgic girlhood and digital bedroom cultures in the Swiftie-sphere

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

14 cited
  • 2024“You Could Hear a Hair Pin Drop”: Queer Utopianism and Informal Knowledge Production in the Gaylor Closeting Conspiracy Theory10 cited
  • 2024Taylor Swift's Branding Strategy6 cited
  • 2025Music in communication: a bibliometric review5 cited