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Cem Yılmaz and Genre Parody in Turkish National Cinema
12 references·0 citing·24 second hop
Cem Yılmaz and Genre Parody in Turkish National Cinema (2020)Cem Yılmaz and Genre Parody in Turkish Na…The reemergence of İstanbul’s film industry: a path-dependence perspective (2017)The reemergence of İstanbul’s…Cycles, Sequels, Spin-offs, Remakes, and Reboots (2016)Cycles, Sequels, Spin-offs, R…New Capitalism in Turkey: The Relationship Between Politics, Religion and Business (2014)New Capitalism in Turkey: The…New Capitalism in Turkey (2014)New Capitalism in TurkeyThe Routledge Dictionary of Turkish Cinema (2013)The Routledge Dictionary of T…Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation (2012)Women and Turkish Cinema: Gen…Women and Turkish Cinema (2012)Women and Turkish CinemaIndie: an American film culture (2011)Indie: an American film cultu…American Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures (2011)American Film Cycles: Reframi…American Film Cycles (2011)American Film CyclesHorror of a different kind: dissonant voices of the new Turkish cinema (2004)Horror of a different kind: d…The future of nostalgia (2001)The future of nostalgiaLocating Turkish Cinema Between Populist Tendencies and Art Cinema (2018)Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning (2003)Nostalgia: Content, triggers, functions. (2006)The Modalities of Nostalgia (2006)Understanding Turkey’s democratic breakdown: old vs. new and indigenous vs. global authoritarianism (2016)Authoritarian Neoliberalism and Democratic Backsliding in Turkey: Beyond the Narratives of Progress (2018)The AKP after 15 years: emergence of Erdoganism in Turkey (2018)The politics of state capitalism in a post-liberal international order: the case of Turkey (2019)Heritage, memory and social justice: (2020)Gendering Turkish Action Films in the Post-2010 Period: “Hey boy, protect me and don’t cry!” (2021)Women’s narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women’s films (2022)Continuation, Adaptation Studies, and the Never-Finished Text (2017)Adaptation and Nostalgia (2020)“WE DON’T NEED TO DREAM NO MORE. WE GOT REAL ESTATE”: (2018)Formen und Funktionen von Genrebenennungen (2018)Formen und Funktionen von Genrebenennungen (2020)Digital Docu-fiction: A Way to Produce Kurdish Cinema (2017)Kurdish Transnational Indigeneity (2021)Hollywood Fatherhood: Paternal Postfeminism in Contemporary Popular Cinema (2013)Not Another Article on the Author! God and Auteurs in Moving Image Analysis (2015)Genretheorien des Films (2021)Wes Anderson, tone and the quirky sensibility (2011)Theorizing art cinemas: foreign, cult, avant-garde, and beyond (2014)Mainstreaming Innovation in Art Worlds: Cooperative links, conventions and amphibious artists (2016)
this work references cited by second hop

References

  • 2001The future of nostalgia1,678 cited
  • 2014New Capitalism in Turkey266 cited
  • 2011Indie: an American film culture109 cited
  • 2011American Film Cycles75 cited
  • 2014New Capitalism in Turkey: The Relationship Between Politics, Religion and Business68 cited
  • 2013The Routledge Dictionary of Turkish Cinema62 cited
  • 2016Cycles, Sequels, Spin-offs, Remakes, and Reboots60 cited
  • 2011American Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures32 cited
  • 2012Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation16 cited
  • 2012Women and Turkish Cinema13 cited
  • 2004Horror of a different kind: dissonant voices of the new Turkish cinema12 cited
  • 2017The reemergence of İstanbul’s film industry: a path-dependence perspective8 cited

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