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Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part I
16 references·0 citing·33 second hop
Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part I (2020)Tracing the Alteration of Verdigris Pigme…The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy (2014)The detection of copper resin…Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques (2014)Non-destructive micro-analyti…‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)‘It's not easy being green’: …Shades of green in 15th century paintings: combined microanalysis of the materials using synchrotron radiation XRD, FTIR and XRF (2012)Shades of green in 15th centu…Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts (2012)Micro‐Raman spectroscopic ana…Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis (2011)Identification of Different C…Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy (2010)Verdigris pigment: a mixture …X-ray absorption investigations of copper resinate blackening in a XV century Italian painting (2008)X-ray absorption investigatio…Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises (2007)Application of Raman microsco…Study by Raman microscopy of nine variants of the green–blue pigment verdigris (2006)Study by Raman microscopy of …The Gutenberg Bibles: Analysis of the Illuminations and Inks Using Raman Spectroscopy (2005)The Gutenberg Bibles: Analysi…The Characterization of a New Pale Blue Corrosion Product Found on Copper Alloy Artifacts (2002)The Characterization of a New…Chemical Reactions Between Copper Pigments and Oleoresinous Media (2002)Chemical Reactions Between Co…Technical Examination of a Fifteenth-Century German Illuminated Manuscript on Paper: A Case Study in the Identification of Materials (2001)Technical Examination of a Fi…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…SOME ASPECTS OF DEGRADATION PHENOMENA OF PAPER CAUSED BY GREEN COPPER-CONTAINING PIGMENTS (1982)SOME ASPECTS OF DEGRADATION P…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques (2014)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)The Conservation of Antiquities and Works of Art (1973)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Raman microscopy as a structural and analytical tool in the fields of art and archaeology (2007)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)New insights on blue pigments used in 15th century paintings by synchrotron radiation-based micro-FTIR and XRD (2014)ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products (2015)Advanced analytical investigation on degradation markers in wall paintings (2018)Advantages of the Use of SR-FT-IR Microspectroscopy: Applications to Cultural Heritage (2005)Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings (2005)High mass and spatial resolution mass spectrometry imaging of Nicolas Poussin painting cross section by cluster TOF‐SIMS (2016)Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)VERDIGRIS AND COPPER RESINATE (1970)National Gallery Technical Bulletin (1979)Decay markers for the preventative conservation and maintenance of paintings (2004)Metal Soaps in Art (2019)Pigment Compendium: A Dictionary of Historical Pigments (2007)New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks (2019)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh (2014)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR (2013)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)Reflectance imaging spectroscopy in heritage science (2020)Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century (2006)Forgery detection on an Arabic illuminated manuscript by micro‐Raman and X‐ray fluorescence spectroscopy (2010)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2002Chemical Reactions Between Copper Pigments and Oleoresinous Media74 cited
  • 2005The Gutenberg Bibles: Analysis of the Illuminations and Inks Using Raman Spectroscopy66 cited
  • 2010Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy65 cited
  • 2013‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts64 cited
  • 2012Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts62 cited
  • 2006Study by Raman microscopy of nine variants of the green–blue pigment verdigris55 cited
  • 2012Shades of green in 15th century paintings: combined microanalysis of the materials using synchrotron radiation XRD, FTIR and XRF50 cited
  • 2008X-ray absorption investigations of copper resinate blackening in a XV century Italian painting50 cited
  • 2011Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis49 cited
  • 2014The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy45 cited
  • 2007Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises40 cited
  • 2014Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques

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36 cited
  • 1982SOME ASPECTS OF DEGRADATION PHENOMENA OF PAPER CAUSED BY GREEN COPPER-CONTAINING PIGMENTS34 cited
  • 2002The Characterization of a New Pale Blue Corrosion Product Found on Copper Alloy Artifacts33 cited
  • 2001Technical Examination of a Fifteenth-Century German Illuminated Manuscript on Paper: A Case Study in the Identification of Materials31 cited
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