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This essay examines Tanya Huff's Blood Price and Charlaine Harris's Dead Until Dark through the lenses of Disability and Feminist Studies to suggest that in these works disability functions as a reclamation of the female body--which has often been viewed as "always and already" deformed--even as it contributes to the reinvention of the vampire romance genre.
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Stored only when both papers are in the corpus — 7 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.