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Sonic Signatures in Metal Music Production. Teutonic vs British vs American Sound
4 references·1 citing·20 second hop
Sonic Signatures in Metal Music Production. Teutonic vs British vs American Sound (2020)Sonic Signatures in Metal Music Productio…Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers (2021)Culture-specific production a…Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture (2016)Digital Tradition: Arrangemen…The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough” (2012)The Sound of Crossover: Micro…Sound of Africa! Making Music Zulu in a South African Studio (2003)Sound of Africa! Making Music…The Politics of Rammstein’s Sound (2021)The Politics of Rammstein’s S…Producing Artistic Value: The Case of Rock Music (1994)Music and the racial imagination (2000)Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)“Check Out the Hook While My DJ Revolves It” (2018)Flow (2019)What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers (2022)Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music (2012)The formation of the West German power metal scene and the question of a ‘Teutonic’ sound (2019)Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production (2021)Keeper of the Seven Keys: Audio heritage in metal music production (2022)From analogue to algorithm: How private production reshaped metal aesthetics (2024)Understanding Popular Music (2003)Living in the End Times (2010)The Society of the Spectacle (2020)Wired for sound: engineering and technologies in sonic cultures (2005)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Music and globalization: critical encounters (2012)Interesting Haydn: On Attention's Materials (2018)Bossa Mundo (2019)Brought to Life by the Voice: Playback Singing and Cultural Politics in South India (2021)
this work references cited by second hop

References

  • 2003Sound of Africa! Making Music Zulu in a South African Studio186 cited
  • 2012The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough”59 cited
  • 2016Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture30 cited
  • 2021Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers7 cited

Cited by

  • 2021The Politics of Rammstein’s Sound3 cited

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