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The Slasher Film and the Final Girl Get Makeovers: It Follows and the Politics of Fourth Wave Feminism
16 references·0 citing·34 second hop
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References

  • 2018Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics [1989]9,508 cited
  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 2012Reckoning with ruins371 cited
  • 2013Feminism: A Fourth Wave?360 cited
  • 1987Her Body, Himself: Gender in the Slasher Film218 cited
  • 1998Recreational terror: women and the pleasures of horror film viewing171 cited
  • 2001Bricks, Mortar, Memories: Neighbourhood and Networks in Collective Acts of Remembering146 cited
  • 2017Postfeminism(s) and the Arrival of the Fourth Wave135 cited
  • 2017The Feminist Fourth Wave114 cited
  • 2015Feminism’s fourth wave: a research agenda for marketing and consumer research107 cited
  • 2011Horror noire: blacks in American horror films from the 1890s to present81 cited
  • 2011Unruly girls, unrepentant mothers: redefining feminism on screen73 cited
  • 2013Narrating Past and Future: Deindustrialized Landscapes as Resources53 cited
  • 2016Affective temporality: towards a fourth wave46 cited

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  • 2009The Fourth Wave of Feminism: Psychoanalytic Perspectives Introductory Remarks31 cited
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