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Effect of a SO2 Rich Atmosphere on Tempera Paint Mock-Ups. Part 2: Accelerated Aging of Azurite- and Malachite-Based Paints
16 references·0 citing·47 second hop
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References

  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 1999Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art143 cited
  • 2016Effect of particle size on pigments colour116 cited
  • 2019Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders’ characteristic spectral features105 cited
  • 2002The role of H2S in pigment blackening97 cited
  • 2009The Use of FTIR and Micro-FTIR Spectroscopy: An Example of Application to Cultural Heritage89 cited
  • 2015Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting81 cited
  • 1998Green degradation products of azurite in wall paintings: identification and conservation treatment78 cited
  • 2015Fourier transform infrared spectroscopic study of rabbit glue/inorganic pigments mixtures in fresh and aged reference paint reconstructions75 cited
  • 2008Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting55 cited
  • 1987Fading of alizarin and related artists' pigments by atmospheric ozone: reaction products and mechanisms54 cited
  • 2017Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mapping52 cited

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  • 2017Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging50 cited
  • 2006Pigment and Plasterwork Analyses of Nasrid Polychromed Lacework Stucco in the Alhambra (Granada, Spain)48 cited
  • 2014Mineral impurities in azurite pigments: artistic or natural selection?43 cited
  • 2006Raman spectroscopy of Japanese artists' materials: The Tale of Genji by Tosa Mitsunobu40 cited
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