SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Breaking the Glass Armor
0 references·16 citing·42 second hop
Breaking the Glass Armor (1988)Breaking the Glass ArmorNavigating Interactive Story Spaces. The Architecture of Interactive Narratives in Online Journalism (2021)Navigating Interactive Story …The Cambridge Companion to Film Music (2016)The Cambridge Companion to Fi…Neoformalismus und Kognitive Filmtheorie (2016)Neoformalismus und Kognitive …Materializing Film Music (2016)Materializing Film MusicConstructing voices in Jean-Luc Godard’sSauve qui peut (la vie)(1979) (2014)Constructing voices in Jean-L…Realism as a third film practice (2011)Realism as a third film pract…The battle for the blockbuster: discourses of spectacle and excess (2008)The battle for the blockbuste…The Routledge Companion to Aesthetics (2005)The Routledge Companion to Ae…Understanding Cinema (2003)Understanding CinemaThe Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Girl and the Phonograph; …Popular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…Music as Ethnic Marker in Film (2001)Music as Ethnic Marker in FilmCinema and Popular Song (2001)Cinema and Popular SongMoving Pictures (1999)Moving PicturesMise en scene is dead, or the expressive, the excessive, the technical and the stylish (1992)Mise en scene is dead, or the…Eurocentrism, afrocentrism, polycentrism: Theories of third cinema (1991)Eurocentrism, afrocentrism, p…The field of Cultural Production (2002)Metaphors We Live By (2003)History of Modern Aesthetics (2005)The Ethical Criticism of Art: A New Mapping of the Territory (2007)The role of brand logos in firm performance (2012)Jokes and their Relation to the Unconscious 1905 (2024)Story and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Sound Design is the New Score (2019)Dialectic of Enlightenment (2020)Postmodernism, or, The cultural logic of late capitalism (1991)Dialectic of Enlightenment, 2011 (2011)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Korngold in America (2025)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The Black Atlantic: Modernity and Double Consciousness (1994)Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere (2006)As if History was Merely a Record : The pathology of nostalgia and the figure of the recording in contemporary popular cinema (2008)‘Same old song’: on audio-visual style in the films of Wes Anderson (2011)Narration in the Fiction Film (1986)Hamlet on the holodeck: the future of narrative in cyberspace (1997)First person: new media as story, performance, and game (2004)Integrated research model for web interfaces: toward a taxonomy of quantitative and qualitative analysis for digital native media (2022)Vivid and Engaging: Effects of Interactive Data Visualization on Perceptions and Attitudes about Social Issues (2023)A Treatise of Human Nature (1739)Visual Pleasure and Narrative Cinema (1975)Women, Fire, and Dangerous Things (1987)To watch from distance: an interactive film model based on Brechtian film theory (2010)Watching Closely (2016)A Social Cognition Approach to Stereotyping in Documentary Practice (2018)Rundfunk und Fernsehen (1986)The Address of the Eye (1992)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Speech Acts (1969)Empathy, Film, and the Brain (2014)One Hundred Years of Photoplay: Hugo Münsterberg's Lasting Contribution to Cognitive Movie Psychology (2017)Characters in Film and Other Media (2025)MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)PARADOXES OF PASTICHE: (2007)The End is Nigh (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2005The Routledge Companion to Aesthetics202 cited
  • 1999Moving Pictures92 cited
  • 2003Understanding Cinema62 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2016Neoformalismus und Kognitive Filmtheorie27 cited
  • 2016Materializing Film Music26 cited
  • 2021Navigating Interactive Story Spaces. The Architecture of Interactive Narratives in Online Journalism21 cited
  • 2001Cinema and Popular Song16 cited
  • 2008The battle for the blockbuster: discourses of spectacle and excess15 cited
  • 2011Realism as a third film practice12 cited
  • 1992Mise en scene is dead, or the expressive, the excessive, the technical and the stylish11 cited
  • 2014Constructing voices in Jean-Luc Godard’sSauve qui peut (la vie)(1979)10 cited
  • 2001Music as Ethnic Marker in Film9 cited
  • 1991Eurocentrism, afrocentrism, polycentrism: Theories of third cinema

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

9 cited